X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 3 ES2 90
Make ES2 controller assignments
The Controller Assignments area enables you to assign your MIDi keyboard’s knobs, sliders, and
other controls to act as control sources for ES2 parameters. There are six menus, for Ctrl A to
Ctrl F. You can use any MIDI controller shown in the menus for these control sources.
These parameters are saved with each setting. They are updated only if the default setting that
is loaded on instantiating the plug-in is used or if the setting was saved with a project. This
approach helps you to adapt all MIDI controllers to the keyboard, without having to edit and
save each setting separately.
Controllers 0 and 32 are reserved for Bank Select messages, controller 1 is used as modulation
source in the router, controllers 33 to 63 work as LSB for controllers 1 to 31, controllers 64 to 69
are reserved for pedal messages, controllers 120 to 127 are reserved for channel mode messages.
In the MIDI specication, all controllers from 0 to 31 are known as Most Signicant Byte (MSB)
controller denitions. Each of these controllers (0 to 31) also contains a Least Signicant Byte
(LSB) controller denition (32 to 63). Use of this secondary LSB controller in conjunction with the
MSB controller allows for a resolution of 14 bits instead of 7 bits. The ES2 recognizes these control
change messages—the breath or expression controllers, for example.
To explain:
•
14-bit controllers are pairs of normal Control Change (CC) messages, where the number of the
second CC message (the LSB) is 32 higher than the rst CC message (the MSB). Examples of
valid 14-bit pairs are: CC1/33, CC7/39, and CC10/42.
•
14-bit controllers have a resolution of 16,384 steps, allowing very precise control of plug-in
parameters. The rst CC message of a 14-bit pair (the MSB) has a coarse resolution of 128 steps.
Each of these steps can be divided into a further 128 substeps using the second CC message
(the LSB). This results in 128 x 128 = 16,384 steps.
•
You don’t need to create new, or special, data types to use 14-bit controllers. The ner
resolution is achieved by complementing the assigned CC message (the MSB) with its LSB. The
CC message assigned in the ES2 can always be used alone if your MIDI controller isn’t capable
of sending 14-bit messages, thus limiting the resolution to 7-bit = 128 steps.
The 14-bit capability is the reason why CC numbers 33–63 can’t be assigned in the Ctrl A–F
menus. Using these (LSB) CC numbers would result in changing 1/128th of the parameter
range—or put another way, 128 continuous steps out of 16,384.
Assign a MIDI controller
1 Click the MIDI button in the lower-left corner to display the Controller Assignments.
2 Click any Ctrl A to Ctrl F menu, then choose the controller name/number that you want to use
from the list.
Learn a MIDI controller assignment
1 Click the MIDI button in the lower-left corner to display the Controller Assignments.
2 Choose the Learn item from a control menu (Ctrl A to Ctrl F).
3 Move the selected controller on your MIDI keyboard or controller.
Note: If no suitable MIDI message is received within 20 seconds, the selected control reverts to
the previous value/assignment.