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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 3 ES2 50
ES2 lter conguration
The Filter Conguration button lets you switch between a parallel and series lter routing. When
either is chosen, the entire circular lter element rotates, and the positions and direction of the
lter controls clearly indicate the signal ow. The button name also changes in each mode.
Series filter signal flow
Parallel filter signal flow
In the gure to the left, the lters are cabled in series. This means that the signal of all oscillators
(combined at the Oscillator Mix Triangle) passes through the rst lter, then this ltered signal
passes through Filter 2, if Filter Blend is set to 0, the middle position. The output signal of Filter 2
is then sent to the input of the dynamic stage (Amplier section).
In the gure to the right, the lters are cabled in parallel. If Filter Blend is set to 0, you’ll hear a
50/50 mix of the source signal, routed via Filter 1 and Filter 2. The output signals of the two lters
are then sent to the input of the dynamic stage. See Cross-fade between ES2 lters.
Cross-fade between ES2 lters
Filter Blend can have a signicant eect on the ES2 signal ow. Regardless of whether parallel
or series lter congurations are chosen, a Filter Blend setting of −1 results in only Filter 1 being
audible. A Filter Blend setting of +1 limits audibility to Filter 2. The gures illustrate the signal
ow between the Oscillator Mix stage (the Triangle) and the dynamic stage (the Amplier). The
signal ow through the lters and the lter overdrive circuit (the Drive parameter) are dependent
on the Filter Blend setting.
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Filter Blend: Series lter conguration information
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Use positive values for Filter Blend to partially bypass Filter 1.
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Use negative values for Filter Blend to partially bypass Filter 2.
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When zero or positive Filter Blend values are used, there is only one overdrive circuit for
both lters.
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Use of negative Filter Blend values introduces another overdrive circuit, which distorts the
output signal of the oscillator mix stage before it is fed into the rst lter.
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If Drive is set to 0, no distortion occurs.
Filter 1
Filter 1
Filter 1
Drive
Drive
Drive
Drive
Drive
Filter 1
Filter 1
Filter 2
Filter 2
Filter 2
Drive
Drive
Filter 2
Filter 2
+1:
–0,5:
+0,5:
–1:
0:
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Filter Blend: Parallel lter conguration information