X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Appendix A Legacy instruments 468
Digital Mono
Digital Mono, which is based on the ES2, is ideal for monophonic digital synthesizer lead sounds.
•
Volume slider: Sets the overall volume level of the instrument.
•
Tuning slider: Sets the overall pitch of the instrument.
•
Harmonics slider: Increases or decreases the number of harmonics, or overtones, in the sound,
with more values making the sound a little thicker and less values making it thinner.
•
Timbre slider: Changes the color of the sound from dark to bright.
•
Timbre Envelope slider: Dynamically changes the color of the sound, depending on how hard
you strike the keyboard.
•
Low values result in little or no eect on the color of the sound, no matter how hard you
play the keys.
•
High values result in signicant changes in the sound, in response to rmer or softer
keyboard playing.
•
Decay slider: Makes the harmonic, or bright, portion of the sound sustain for a longer time at
slow values. Faster values move to the Sustain level more quickly.
•
Richness slider: Subtly detunes each played note from the others, making the sound a little
thicker, particularly when high parameter values are used.
•
Distortion slider: Distorts the overall sound, making it quite nasty and aggressive.
Important: Be careful with the Distortion parameter, which can signicantly increase the
overall volume of the instrument and possibly cause damage to your speakers or ears.
Digital Stepper
Digital Stepper, which is based on the ES2, is a digital synthesizer that can step through a
number of tones, creating a rhythmic pattern.
•
Volume slider: Sets the overall volume level of the instrument.
•
Balance slider: Sets the balance between a harder and more spiky sound (digital) and a warmer,
softer sound (analog).
•
Modulation slider: Applies more or less modulation, making the sound more lively when high
settings are used.
•
Harmonics slider: Increases or decreases the number of harmonics, or overtones, in the sound,
with more values making the sound a little thicker and less values making it thinner.
•
Harmonic Steps slider: Determines how noticeable the tonal steps are, with large values making
them more noticeable and small values less noticeable.
•
Cuto slider: Allows less sound through at low values and more at high values—damping the
sound or making it brighter.
•
Cuto Steps slider: Sets the amount of cuto applied to each step, with large values making the
cuto eect more pronounced and small values less pronounced.
•
Duration slider: Sets the length of the steps.