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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Appendix A Legacy instruments 462
Drum Kits
Drum Kits includes: rock, pop, jazz, electronic, orchestral, and Latin kits, among others.
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Volume slider: Sets the overall volume level of the instrument.
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Filter Cuto slider: Allows less sound through at low values and more at high values—damping
the sound or making it brighter.
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Release slider: Determines the time it takes for notes to fade out after you let go of the keys on
your keyboard.
Electric Clav(inet)
Electric Clavinet, which is based on Vintage Clav, emulates the Hohner D6 clavinet.
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Voices pop-up menu: Choose the maximum number of voices that can be played
simultaneously. Lowering the value of this parameter limits the polyphony and processing
requirements of Electric Clav. There are two monophonic settings: mono and legato. Each
setting provides a single voice when playing Electric Clav.
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Mono: Electric Clav voice is triggered each time a key is pressed.
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Legato: Electric Clav sound-shaping processes are not triggered if the notes are played
legato—only the pitch changes. If the notes are played staccato, a voice with all sound-
shaping processes is triggered.
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Damper slider: Changes the tone, making it less sustained and more woody sounding as you
move toward the high setting.
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Volume slider: Sets the overall volume level of the instrument.
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Auto Wah slider: Sets the sensitivity of the (lter) envelope to incoming note velocity messages.
An auto wah eect is produced by using the integrated envelope follower function, which
controls the depth of lter cuto modulation. In practical terms, this means that the dynamics
of your performance directly control the depth of the Wah eect.
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Phaser slider: Sets the overall level of the integrated Phaser eect.
The Phaser eect adds a sweeping, whooshing quality to your clavinet sound.
Electric Piano
Electric Piano, which is based on Vintage Electric Piano, sounds like the Fender Rhodes and
Wurlitzer electric pianos.
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Model buttons: A more bell-like tone is achieved when the Tines button is selected.
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Decay slider: A short value makes the sound almost plucked, whereas a long setting sustains
the sound while the keys are held.
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Bell Volume slider: Makes the sound more bell-like, with a stronger ringing tone.
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Voices pop-up menu: Choose the maximum number of voices that can be
played simultaneously.
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Tremolo slider: Sets the maximum tremolo (wobbling pitch) intensity.
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Chorus slider: Sets the level of the integrated Chorus eect.
Chorus makes the sound richer and thicker.
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Volume slider: Sets the overall volume level of the instrument.
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MIDI Mode pop-up menu: Choose O or Modwheel to Tremolo.
When the latter is chosen, move your keyboard modulation wheel to set the tremolo
(wobbling pitch) intensity.