X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 16 Vintage Clav 443
Vintage Clav String parameters
The selected model determines the basic qualities of the strings and has a signicant bearing on
the behavior, and impact, of each String parameter. This is primarily due to the dierent harmonic
content present in each model.
String parameters
•
Release slider: Drag to set the release time of the strings, following the decay phase of a played
note. Positive Release values provide a longer release time—after you have released a key.
•
Damping slider: Drag to change the damping behavior of the strings. Damping is essentially
a faster decay for the higher harmonics in a sound. Damping is directly related to the string
material properties—high damping for catgut strings, medium damping for nylon strings, and
low damping for steel strings. Depending on the model, damping results in a more mellow
and rounded, or woody, sound. A positive Damping value makes the sound more mellow. A
negative Damping value allows more high harmonics through, making the sound brighter.
•
Stiness and Inharmonicity sliders: Drag to intensify or reduce the inharmonic overtones in the
sound. When set at dierent levels, you can create metallic, bell-like sounds, or DX-style electric
piano sounds. Stiness and Inharmonicity can also be useful for wood bass sounds.
•
The Inharmonicity parameter determines the lowest harmonic—the harmonic
threshold. Inharmonic content above this threshold is stretched or spread across the
frequency spectrum.
•
The Stiness parameter controls the intensity of the stretching or spectral spreading set by
the Inharmonicity slider.
Note: The fundamental note pitch is not aected by the Stiness and
Inharmonicity parameters.
•
Tension Mod slider: Drag to add a slight upward pitch bend eect, immediately after being
plucked, struck, or strummed. This type of modulation is common to stringed instruments like
the D6, guitars, and so on. A predened Tension Modulation characteristic is built into each
model, but this can be altered with the Tension Mod parameter. The impact of this parameter
can be signicant, enabling you to generate strange sound eects with Vintage Clav. You can
also use it to simulate an out-of-tune clavinet, or a sitar-like sound.
•
Pitch Fall slider: Drag to set the intensity of a D6 characteristic, where the pitch of each note
falls immediately after you release the key. This sonic quirk is due to the physical construction
of the D6. The intensity of this eect varies with each model, but it can be completely
deactivated by setting Pitch Fall to the leftmost position.