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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 15 Vintage B3 415
Vintage B3 Distortion eect
The Distortion eect simulates an overdriven two-stage tube amplier. Its primary role is to
simulate the Leslie amplier or another amplier used to feed the Leslie speaker cabinet.
Vintage B3 Distortion parameters
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Distortion On/O switch: Turn on or bypass the Distortion eect.
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Type pop-up menu: Choose a tube amplier model.
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Growl: Simulates a two-stage tube amplier. It closely resembles the Leslie 122 model, the
classic partner for the Hammond B3 organ.
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Bity: Reminiscent of a bluesy guitar amp.
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Nasty: Delivers hard distortions and is suitable for very aggressive sounds.
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6550 AB V3: Tube distortion sound modeled on class AB amp head.
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6550 AB V2: Tube distortion sound modeled on class AB amp head.
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6550 GL: Tube distortion sound modeled on tube amp head.
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Tone knob: Rotate to change the distorted portion of the sound. This has no eect on the
dry signal portion. Limiting changes to the distorted signal allows for very warm overdriven
sounds that do not become scratchy if you try to get more treble out of Vintage B3.
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Drive knob: Rotate to set the amount of overdrive distortion. The output level is automatically
compensated for, so there’s no need for a distortion output volume control. A level of 0
eectively turns o the Distortion circuit.
Note: The Drive knob shown in the Main window is linked with the Drive knob shown in
the Eects window. When you rotate either Drive knob, your change is mirrored in the other
window. In essence, this is a convenience feature that addresses the same parameter in
both locations.
Vintage B3 Reverb eect
Vintage B3 features a simple reverberation eect that emulates several room types and a
spring reverb.
Vintage B3 Reverb parameters
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Reverb On/O switch: Turn on or bypass the reverb eect.
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Pre/Post switch: Patches the reverb eect before (Pre) or after (Post) the rotor eect. The
reverb is always patched after the EQ, Wah, and Distortion eects, but before the Leslie rotor
cabinet. Switch to Post if you don’t want the reverb to sound like it is played back through the
rotor speaker.
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Type pop-up menu: Choose from six reverb algorithms: Air, Box, Small, Medium, Large, Big,
and Spring.
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Level knob: Rotate to set the balance between the reverb and original signal levels.