X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 15 Vintage B3 400
Set up Vintage B3 for your MIDI equipment
Vintage B3 MIDI setup overview
Vintage B3 is unique among the instruments in that it can be played with three simultaneous
controllers—namely, a MIDI bass pedal unit and two 73-key MIDI keyboards. This mirrors the two
73-key manuals (organ terminology for keyboards) and the 2-octave pedalboard conguration of
the original B3. See Use multiple or multichannel controllers for more information.
Vintage B3 can also be played with a standard 61-key (5 octaves C to C) MIDI keyboard. See Use a
single-channel controller for more information.
Vintage B3 also emulates the B3’s preset keys—the lowest octave of attached MIDI keyboards
can switch between Vintage B3 registrations. This matches the behavior of the original B3, which
features a number of inverted (black) keys in the lowest octave of each manual. These inverted
keys are used as buttons that recall preset registrations (a preset of your draw bar settings). See
Use Vintage B3 preset keys.
For information about setup and use of dedicated MIDI draw bar controllers, see Choose a
Vintage B3 MIDI control mode.
Use multiple or multichannel controllers
By default, Vintage B3 receives the notes for the upper and lower manuals, and for the
pedalboard, on three consecutive MIDI channels, mapped as follows:
•
MIDI channel 1: You play the upper manual sound.
•
MIDI channel 2: You play the lower manual sound.
•
MIDI channel 3: You play the pedalboard sound.
This allows you to simultaneously play Vintage B3 with up to three MIDI controllers. You can
also use a single-manual master keyboard—with dierent keyboard zones, or a keyboard split
feature—that sends data on dierent MIDI channels to address all three Vintage B3 sounds
simultaneously. Each keyboard zone can be transposed independently. See also Choose a
Vintage B3 MIDI control mode. You can use any of your MIDI interface inputs for your master
keyboard or pedalboard. Regardless of the input devices used, the only relevant factor is the MIDI
send channel.
Note: See the user manual for your master keyboard to learn how to set up splits and zones or
how to set its MIDI transmission channel (often called TX Channel).
Set the keyboard mode
There are three keyboard modes: single, split, and multi.
1 Click Main in the control bar, then click the Split button at the lower right.
2 Set the switch to the left of the keyboard in the central display to Single, Split, or Multi.
•
Single: Uses the entire keyboard. You can only play the upper sound.
•
Split: Divides the keyboard into two. You can play the upper and lower sounds in dierent
keyboard zones.
•
Multi: Divides the keyboard into three. You can play the upper, lower, and pedalboard sounds
in dierent keyboard zones.