X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 15 Vintage B3 397
Vintage B3 Percussion eect
Vintage B3 emulates the (Key) Percussion features of the original B3. The Percussion function is
available only for the upper manual. The eect adds the second or third harmonics to the attack
envelope of a note. These harmonics quickly fade out, leaving the chosen draw bar tones.
The Percussion eect is polyphonic, but is only (re)triggered after all keys have been released.
If you release all keys, new notes or chords sound with percussion. If you play legato, or sustain
other notes on the upper manual, no percussion is heard.
Important: Percussion controls are spread across two windows. Click Main in the control bar,
then click the Control button at the lower right to view the Percussion, Harmonic, Time, and
Volume switches in the Main window. Click the Options button in the control bar to use the
advanced percussion controls in the Options window.
Percussion eect parameters
•
Percussion switch (Main window): Turn on to activate percussion for the upper manual.
•
Harmonic switch (Main window): Determines which harmonic is heard (the button toggles
between the 2nd and 3rd harmonic).
•
Time switch (Main window): Switch between a slow or fast decay. The time is set with the Time
knobs in the Options window.
•
Volume switch (Main window): Switch between a low or high decay level. The level is set with
the Volume knobs in the Options window.
•
Mode switch (Options window): Choose Mono to trigger the percussion eect with each key
press. Choose Poly for a polyphonic percussion eect which is only (re)triggered after all keys
have been released. If you release all keys, new notes or chords will sound with percussion. If
you play legato, or sustain other notes on the upper manual, no percussion is heard.
•
Perc on Preset switch (Options window): Set to B0 to simulate the B preset key restriction.
Choose All if you want percussion to always be available.
•
Time knobs (Options window): Rotate to set an independent percussion decay time for the slow
and fast Time switch settings. When the Slow knob is set to maximum, the percussion doesn’t
decay at all.
•
Volume knobs (Options window): Rotate to set an independent low and high decay level for the
low and high Volume switch settings. This is an improvement from the B3, where Time and Vol
could only be turned on or o.
•
Upper Level knob (Options window): Rotate to set the balance between the upper (percussive)
manual and the lower manual/pedals. On the B3, percussion is available only if the B preset
key is selected (see Use Vintage B3 preset keys).
•
Velocity knob (Options window): Rotate to set the percussion velocity sensitivity (unlike the
original B3, which is not velocity sensitive). Engaging percussion on a B3 slightly reduces the
volume of the normal, nonpercussive registers.