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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
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Vintage B3 overview
Vintage B3 emulates the sound and features of the Hammond B3 organ with two manuals
(keyboards) and a pedalboard, each of which can have its own registration (sound setting). You
can play all registers with a single-manual master keyboard, or you can use two manuals and a
MIDI pedalboard. Vintage B3’s Component modeling synthesis engine faithfully replicates the
tonewheel generators of an electromechanical Hammond organ, down to the smallest detail.
This includes charming aws, such as the Hammond’s enormous level of crosstalk and the
scratchiness of the key contacts. You can adjust the intensity of these characteristics, enabling
tones that range from awlessly clean through to dirty and raucous—or anything in between.
Vintage B3 also simulates various types of Leslie sound cabinets—with rotating speakers, with
and without deectors. A exible integrated eects section provides tube overdrive, an equalizer,
a wah wah, and a reverberation eect.
The interface is divided into two main areas with a third area visible in some windows. The
control bar at the top lets you access dierent controls in windows shown in the central display
section. The lower edge gives you direct access to Leslie speed controls when the Main or Rotor
Cabinet window is shown.
Click the control bar buttons to update the central display.
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Main button: Shows the draw bars, which are used to make changes to the basic organ sound
in real time. Additional performance and setup controls can be accessed with the Control,
Preset, and Split buttons in the lower-right corner. See Vintage B3 Main window overview.
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Rotor Cabinet button: Shows the Leslie speaker cabinet model and control parameters. See
Vintage B3 Rotor Cabinet window overview.
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Options button: Shows several tone controls that provide quick access to various aspects of
your sound. Advanced controls for Percussion, Scanner Vibrato, and Morph are also found in
the Options window. See Vintage B3 Options window overview.
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Eects button: Shows controls for the built-in EQ, Wah, Distortion, Chorus, and Reverb eects.
See Use Vintage B3 eects.
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Expert button: Shows Organ, Pitch, Condition, Sustain, and Miscellaneous controls. These
provide precise control over the tone of the organ and over other aspects, such as tuning,
draw bar leakage, key click characteristics, and crosstalk levels. You generally access
these parameters only when editing or creating an organ sound. See Vintage B3 Expert
window overview.
Vintage B3
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