X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 14 Ultrabeat 380
MIDI control of Ultrabeat’s step sequencer
Pattern performance can be inuenced by incoming MIDI notes. This enables spontaneous
interaction with the step sequencer, making Ultrabeat an excellent live performance instrument.
The way Ultrabeat reacts to MIDI control is determined by the chosen pattern, playback, and
voice mute mode options.
Pattern Mode button Voice Mute Mode buttonPlayback Mode menu
MIDI control parameters
•
Pattern Mode (On/O) button: Allows you to choose and start patterns with MIDI note
messages. The Transport button turns blue to indicate that Ultrabeat is ready to receive
incoming control commands.
MIDI notes C-1 to B0 switch between patterns: C-1 selects pattern 1, C#-1 selects pattern 2,
and so on up to pattern 24 (selected when MIDI note B0 is received).
•
Playback Mode pop-up menu: Determines pattern playback behavior when an incoming MIDI
note is received. You can choose one of the following options:
•
One-Shot Trig(ger): The reception of a MIDI note starts the pattern, which plays once through
its cycle, then stops. If the next note is received before the pattern has reached its nal
step, the new note stops playback of the rst pattern and the next pattern begins playing
immediately—this can be a dierent pattern or the same pattern, depending on the MIDI
note received. Note-o events are ignored.
•
Sustain: The reception of a MIDI note starts the pattern and it continues playing in an innite
loop until the corresponding MIDI note is released (a note-o event is received).
•
Toggle: The reception of a MIDI note starts the pattern and it continues playing in an innite
loop until the next note is received. If it is the same note, the pattern stops immediately. If it
is a dierent note, the sequencer immediately switches to the new pattern.
Toggle mode allows you to switch between patterns in the middle of a bar—the sequencer
stays in time and automatically jumps to the corresponding beat of the new pattern. This isn’t
the case in One-Shot Trig mode, which starts the new pattern from the beginning as soon as
you play a MIDI note.
•
Toggle on Step 1: The behavior is the same as Toggle mode except that the pattern change or
stop occurs the next time beat 1 is reached—at the beginning of the next pattern cycle.
•
Voice Mute Mode button: Playing MIDI note C1 and above mutes the corresponding sound in
the Ultrabeat mixer. A subsequent MIDI note of the same pitch unmutes it. This is ideal for
spontaneous rearranging of patterns and/or muting single elements of a pattern without
deleting them. This is especially useful in a live performance or remixing situation.
All the creative pattern switching options discussed in this section are achieved with MIDI note
messages and can be recorded, edited, arranged, and automated in Logic Pro.