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Table Of Contents

Logic Pro X Instruments
Contents
Chapter 1:  Drum Kit Designer
- Drum Kit Designer overview
- Drum Kit Designer Edit panel
- Use Drum Kit Designer
- Drum Kit Designer extended parameters
- Drum Kit Designer mappings
Chapter 2:  ES1
- ES1 overview
- ES1 oscillator parameters
- ES1 global parameters
- ES1 filter parameters
  - ES1 filter parameters overview
  - Drive the ES1 filter to self-oscillate
- ES1 amplifier parameters
- ES1 envelope parameters
- ES1 modulation
- ES1 MIDI controllers
Chapter 3:  ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
  - Use ES2’s dynamic stage
  - Sine Level enhanced ES2 sounds
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
  - Use ES2’s randomization parameters
  - Restriction of ES2 randomization
- ES2 tutorials
  - Create ES2 sounds from scratch
  - Create ES2 sounds with templates
Chapter 4:  EFM1
- EFM1 overview
- EFM1 modulator and carrier parameters
- EFM1 modulation parameters
- EFM1 global parameters
- EFM1 output parameters
- Create random EFM1 sounds
- EFM1 extended parameters
- EFM1 MIDI controller assignments
Chapter 5:  ES E
- ES E overview
- ES E oscillator parameters
- ES E LFO parameters
- ES E filter parameters
- ES E envelope parameters
- ES E output parameters
- Extended ES E parameters
Chapter 6:  ES M
- ES M overview
- ES M oscillator parameters
- ES M filter and filter envelope
- ES M level envelope and output controls
- Extended ES M parameters
Chapter 7:  ES P
- ES P overview
- ES P oscillator parameters
- ES P LFO parameters
- ES P filter parameters
- ES P envelope and level controls
- Integrated ES P effects processor
- Extended ES P parameters
Chapter 8:  EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
  - EVOC 20 PolySynth overview
  - Vocoder basics
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
Chapter 9:  EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
Chapter 10:  External Instrument
- External Instrument overview
- Use the External Instrument
Chapter 11:  Klopfgeist
- Klopfgeist parameters
Chapter 12:  Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
Chapter 13:  Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
  - Use Sculpture pickup parameters
  - Sculpture’s spread controls
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
Chapter 14:  Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat tutorials
Chapter 15:  Vintage B3
- Vintage B3 overview
- Vintage B3 Main window
- Vintage B3 Rotor Cabinet window
- Vintage B3 Options window
- Vintage B3 Effects window
- Vintage B3 Expert window
- Use a MIDI controller with Vintage B3
- B3 and Leslie information
Chapter 16:  Vintage Clav
- Vintage Clav overview
- Vintage Clav interface
- Vintage Clav Main window
- Vintage Clav Effects window
- Vintage Clav Details window
- Vintage Clav extended parameters
- D6 Clavinet information
  - D6 Clavinet history
  - D6 Clavinet mechanical details
Chapter 17:  Vintage Electric Piano
- Vintage Electric Piano overview
- Vintage Electric Piano interface
- Vintage Electric Piano Effects window
- Vintage Electric Piano Details window
  - Vintage Electric Piano model parameters
  - Vintage Electric Piano pitch parameters
- Vintage Electric Piano extended parameters
- Vintage Electric Piano emulations
  - Rhodes models
  - Hohner and Wurlitzer models
- Vintage Electric Piano MIDI controllers
Appendix A:  Legacy instruments
- Legacy instruments overview
- Emulated instruments
- Synthesizers
Appendix B:  Synthesizer Basics
- Synthesizer basics overview
- Sound basics
- Synthesizer fundamentals
- Subtractive synthesizers
- Other synthesis methods
- A brief synthesizer history

Chapter 14 Ultrabeat 334

Note: If you import EXS instruments that include more than 25 sample zones, you can navigate

through pages (of 25 zones) by using the up and down arrows to the left and right of the EXS

instrument name at the top of the import list.

Click the arrows to

navigate to additional

pages of sounds.

Drag sounds into your drum kit

m Drag the sound name from the import list into the target row in the Mixer section.

Note: Hold down the Command key to include all sequences.

Transfer sounds using shortcut menu commands

1 Control-click (or right-click) the sound name in the import list, then choose Copy (Voice & Seq)

from the shortcut menu.

The selected sound and its sequences are copied to the Clipboard.

2 Control-click (or right-click) the sound you want to replace in the current drum kit, then choose

one of the following shortcut menu commands:

•

Paste Voice: Replaces the selected sound with the sound from the Clipboard but does not

replace existing sequences.

•

Paste Sequence > (submenu): Opens a submenu that enables you to replace all, or individual

sequences, of the target drum sound. Sound parameters are not aected.

Pasting a single sequence replaces the currently active sequence (as set in the Pattern menu)

of the target drum sound. This allows you to copy sequences into any of the 24 possible

pattern locations.

•

Swap with Clipboard: Exchanges and replaces the selected sound (and associated sequence)

with the sound from the Clipboard.

Import an EXS instrument into Ultrabeat

m Drag an EXS instrument lename from the Finder directly onto the Assignment section.

Ultrabeat reproduces the EXS layout as closely as possible. Layered EXS zones are set up as

layered drum sounds, using the sample playback mode of oscillator 2. See Use Ultrabeat

oscillator 2 sample mode on page 343.

Note: This method does not allow paging through the EXS instrument if it contains more than

25 sounds (samples). Ultrabeat maps only sample zones and layers that fall within Ultrabeat’s

drum sound range of C1 to C3. All other samples (zones) are ignored.