X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 13 Sculpture 283
Sculpture Morph Envelope parameters
The following section describes the Morph Envelope’s parameters.
Record button and
Trigger menu
Mode buttons and
Pad Mode menu
Time Scale field
Sustain Mode menu
Sync/ms buttons
Depth knob Transition knob
Modulation knob and
Source menu
Morph Envelope parameters
•
Record button: Click to arm the envelope for recording. See Record Morph Envelopes in
Sculpture on page 286.
•
Trigger Mode pop-up menu: Choose the event type that triggers recording.
•
Mode buttons: Turn on the Morph Envelope. See Sculpture’s Morph Envelope mode on
page 284.
•
Pad Mode pop-up menu: Choose a Morph Envelope mode.
•
Timescale eld: Drag to scale the duration of the entire envelope between 10% (ten times
faster) and 1000% (ten times slower). This also aects the appearance of the envelope curve
displayed as it is shortened (sped up) or lengthened (slowed down).
•
Sustain mode pop-up menu: Choose the behavior of the Morph Envelope while a note is held.
The menu items are Sustain mode, Finish mode, three loop modes—Loop Forward, Loop
Backward, Loop Alternate—and Scan via CtrlB mode. See Sculpture Morph Envelope Sustain
and loop mode on page 285.
•
Sync and ms buttons: Select either a tempo-synced envelope with note value options, such as
1/8 or 1/4, or a free-running envelope, with segment times displayed in milliseconds.
Note: Switching between values forces a recalculation of times to the nearest note value or ms
time, respectively, based on the current project tempo.
•
Depth knob: Rotate to scale the amount of morph movement caused by the Morph Envelope.
The eect of the Depth parameter is visually displayed in the Morph Pad. As you increase or
decrease the value, the morph trajectory is also scaled.
•
Modulation knob: Rotate to set the scaling amount for Morph Envelope movements.
•
Modulation Source pop-up menu: Choose a modulation source that is used to scale Morph
Envelope movements.
•
Transition knob: Rotate to control transitions between morph points. This can be the original
(possibly recorded) movement to linear, or stepped, transitions. The latter remains at one
morph state and then abruptly switches to another morph state at the following envelope
point. This parameter (and the Morph Envelope itself ) can lead to interesting, evolving sounds,
or even rhythmic patches.