X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 13 Sculpture 251
Sculpture global parameters
These are found across the top of the Sculpture interface, unless otherwise specied.
Global parameters
•
Glide Time eld: Drag to set the time required to slide from the pitch of one played note to
another. The Glide parameter behavior depends on the keyboard mode you choose.
•
If you set the keyboard mode to Poly or Mono and set Glide to a value other than 0,
portamento is active.
•
If you choose Legato and set Glide to a value other than 0, you need to play legato (press
a new key while holding the old one) to activate portamento. If you don’t play in a legato
style, portamento won’t work. This behavior is also known as ngered portamento.
•
Tune eld: Drag to ne-tune the entire instrument, in cents. A cent is 1/100th of a semitone.
•
Warmth eld: Drag to slightly detune each voice, much like the random uctuations caused by
the components and circuitry of analog synthesizers. As the parameter name suggests, this
warms up or thickens the sound.
•
Transpose eld: Drag to tune the entire instrument by octaves. Given the ability of
component modeling to radically alter pitch with certain settings, coarse tuning is limited to
octave increments.
•
Voices eld: Drag to specify the number of voices that can be played at any one time. Sixteen
voices is the maximum polyphony of Sculpture.
•
Keyboard Mode buttons: Click to choose polyphonic, monophonic, and legato behaviors.
A polyphonic instrument, such as an organ or piano, allows several notes to be played
simultaneously. Many older analog synthesizers are monophonic, which means that only one
note can be played at a time, much like a brass or reed instrument. This shouldn’t be viewed
as a disadvantage in any way, because it allows playing styles that are not possible with
polyphonic instruments.
•
In Mono mode, staccato playing retriggers the envelope generators every time a new note
is played. If you play in a legato style (play a new key while holding another), the envelope
generators are triggered only for the rst note you play legato. They then continue their
curve until you release the last legato played key. Mono mode is also known as multi
trigger mode.
•
Legato mode is also monophonic, but with one dierence: the envelope generators are
retriggered only if you play staccato—releasing each key before playing a new key. If you
play in a legato style, envelopes are not retriggered. Legato mode is also known as single
trigger mode.
Note: All modes retrigger a potentially sounding voice with the same pitch, instead of
allocating a new one. Therefore, multiple triggering of a given note results in slight timbral
variations, depending on the current state of the model at note-on time. If Sculpture’s string
is still vibrating for a specic note, retriggering that same note interacts with the ongoing
vibration, or current state of the string. A true retrigger of the vibrating string will happen only
if both Attack sliders of the amplitude envelope are set to 0. If either slider is set to any other
value, a new voice is allocated with each retriggered note. See Sculpture amplitude envelope
parameters on page 252.