X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 12 Retro Synth 233
Retro Synth global and controller settings
Retro Synth global controls are used to set the overall tuning, polyphony, and other aspects of
your instrument.
The controller settings let you assign MIDI keyboard features to Retro Synth controls. You can use
three MIDI controllers—velocity, modulation wheel, and aftertouch—to change Retro Synth’s
Filter Cuto, Wave Shape (Pulse Width), or LFO/Vibrato Rate controls. Multiple MIDI controllers
can be assigned to the same Retro Synth control, so you could change lter cuto with both
velocity and aftertouch, for example. Alternatively, a single MIDI controller can be assigned to
multiple Retro Synth parameters—with aftertouch aecting both lter cuto and LFO speed,
for example.
If you’re new to synthesizers and the concepts behind modulation controls, see Synthesizer
basics overview.
Click the Settings label to switch between the modulation and global/controller controls.
Global parameters
•
Transpose pop-up menu: Choose a value to transpose Retro Synth ±2 octaves.
•
Tune eld: Click the arrows or drag vertically to tune Retro Synth in semitone steps.
•
Bend pop-up menu: Choose a value to set the maximum upward/downward pitch bend. Pitch
bend modulation is typically performed with your MIDI keyboard pitch bend wheel or joystick.
•
Voices pop-up menu: Choose a value to set the maximum number of notes that can be played.
Retro Synth can play up to 16 simultaneous voices, or can be used as a monophonic (single
voice) synthesizer.
•
If you choose legato and play in a legato style (strike a new key while holding another),
the envelope generators are triggered only for the rst note you play legato, and then they
continue their curve until you release the last legato played key. This means that if you play
legato, a portamento occurs (the portamento time is set with the Autobend / Glide Time
control). If you release each key before pressing a new one, the envelope is not triggered by
the new note, and there is no portamento.
•
If you choose mono, staccato playing retriggers the envelope generators every time a new
note is played.
•
Voice Detune eld: Click the arrows or drag vertically to tune Retro Synth in cents
(1 cent = 1/100th semitone).
•
Stereo Spread eld: Click the arrows or drag vertically to set the amount of voice panning,
respective to the center position. Spread: 0=mono, 1=full left/right panning. Voices are panned
left or right in an alternating, symmetrical pattern.
Note: Detuning and panning works in Single and Double voice mode. In Double voice mode,
detuning and panning aects the respective voice pairs.