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Table Of Contents
Chapter 2 ES1 22
ES1 oscillator waveforms
The table outlines the basic tones of the oscillator waveforms—how they aect your
synthesizer sound.
Waveform Basic tone Comments
Sawtooth Warm and even Useful for strings, pads, bass, and
brass sounds
Triangle Sweet sounding, softer than
sawtooth
Useful for utes, pads
Square Hollow and “woody” sounding Useful for basses, clarinets, and
oboes
Pulse “Nasal” sounding Great for reed instruments, synth
blips, basses
Use the ES1 sub-oscillator
The ES1 sub-oscillator is used to make your sound richer. Its pitch matches the frequency of the
main oscillator. You can choose from the following sub-oscillator waveform options:
A square wave that plays one or two octaves below the frequency of the primary oscillator
A pulse wave that plays two octaves below the frequency of the primary oscillator
Variations of these waveforms, with dierent mixes and phase relationships, resulting in
various sounds
White noise, which is useful for creating percussion sounds as well as wind, surf, and rain
sounds
OFF, which allows you to disable the sub-oscillator
EXT, which allows you to run an external channel strip signal through the ES1 synthesizer
engine, by using a side chain
Process a channel strip signal through the ES1 synthesizer engine
1 Set the Sub knob to EXT.
2 Choose the side-chain source channel strip from the Side Chain pop-up menu in the upper-right
corner of ES1.