X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 214
EXS24 mkII memory management
Multigigabyte sample libraries are commonplace today, delivering incredibly detailed and
accurate instrument sounds. In many cases, these sample libraries are too large to t into your
computer’s random-access memory (RAM). To use these huge sampler instruments, EXS24 mkII
can use a portion of your hard drive as virtual memory. When you turn on EXS24 mkII’s virtual
memory, only the initial attacks of audio samples are loaded into the computer’s RAM; the rest of
the sample is streamed in real time from the hard drive.
Logic Pro automatically addresses all available system memory. The amount of RAM available for
use by EXS24 mkII is determined by several factors, including:
•
The amount of physical RAM installed in your computer.
•
How much RAM other open applications and the operating system are using.
•
How much RAM Logic Pro is using. This will vary in accordance with the number and size of
audio les in the project, and other plug-ins used. Sampler plug-ins not made by Apple, in
particular, can signicantly aect the amount of RAM that Logic Pro uses.
Virtual memory parameters
•
Active checkbox: Turns on the EXS24 mkII virtual memory feature.
Note: If you have enough physical RAM to hold all the samples for a project, you will see
improved performance by deselecting the Active checkbox. In projects with lots of audio
tracks playing and relatively few EXS instances, this may aect performance. If the Active
checkbox is deselected and there is insucient RAM to hold all samples, Logic Pro swaps data
to and from the disk, which degrades performance. Deselecting the Active checkbox also
increases project load times, so you should leave it selected in most cases.
•
Disk Drive Speed pop-up menu: Species the speed of your hard drive; if you have a solid-state
drive, or a 7200-rpm or faster hard drive for your audio samples, choose Fast. If you are using
a 5400-rpm laptop drive for your audio samples, choose Medium. You should not need to use
the Slow setting with any modern Mac.
•
Hard Disk Recording Activity pop-up menu: Species overall hard disk usage—how much
recording and streaming of non-sampler-related audio is occurring. For example, if you are
recording an entire drum kit using over a dozen microphones, streaming live guitars and bass,
recording choirs, and so on, set your hard disk recording activity to Extensive. If your projects
consist mostly of software instrument playback, with perhaps a recorded instrument or vocal
or two, set your hard disk recording activity to Less. If you are unsure, choose Average.
•
Requires Constant RAM Allocation Of eld: Shows the memory requirements of the above
parameters. The slower your hard drive and the higher your hard disk recording activity, the
more RAM you will need to allocate to virtual memory.