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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 212
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Filename only: Reads from the lename only. If no root key/velocity information exists, C3 is
automatically assigned to the zone as the root key.
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File only: Reads from the le header only. If no root key/velocity information exists, C3 is
automatically assigned to the zone as the root key.
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File/Filename/Analysis: Initially reads information about root key/velocity from the audio
le itself (in the header of the AIFF or WAV le). If no information of this type exists in the
le header, a smart analysis of the lename may detect a root key/velocity. If this method
doesn’t provide useful results, the initial transient in the le itself is analyzed for velocity and
is applied as the velocity. The root key is derived from the initial pitch. C3 is automatically
assigned to the zone as the root key if no pitch is detected.
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Filename/File/Analysis: As above, but the lename is read before the header.
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Analysis only: Analyzes the le only and applies a velocity based on the initial transient level.
The root key is derived from the initial pitch. C3 is automatically assigned to the zone as the
root key if no pitch is detected.
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Root Key at File Name Position pop-up menu: Normally, EXS24 mkII intelligently determines the
root key from the le header of the loaded audio le. On occasion you may want manual
control over this parameter, if you feel that the root key is not being properly determined.
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Auto: Provides a smart analysis of numbers and keys from the lename. A number in the
lename can be recognized, regardless of its format—60 or 060 are both valid. Other valid
numbers can range between 21 and 127. Numerical values outside of these are generally just
version numbers. A key number is also a valid possibility for this use—C3, C 3, C_3, A-1, A-1
or #C3, C#3, for example. The possible range is C-2 up to G8.
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Numeric value: There may be cases where a sound designer has used multiple numbers
in a lename, which is common with loops, with one value being used to indicate
tempo—“loop60-100.wav,” for example. In this situation, it isn’t clear which, if either, of the
numbers indicates a root key or something else: 60 or 100 could indicate the le number
in a collection, tempo, root key, and so on. You can set a value of 8 to read the root key at
position (letter/character) eight of the lename—namely, the 100 (E6). Alternatively, setting a
value of 5 selects the 60 (C3) as the root key position.
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Velocity at File Name Position pop-up menu: EXS24 mkII can determine the velocity from the
le header of the loaded audio le. On occasion you may want manual control over this
parameter, if you feel that the velocity is not being properly determined.
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Auto: Provides a smart analysis of velocity from the lename. An abbreviation in the lename
can be recognized—pp or , for example.
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Numeric value: There may be cases where a sound designer has used multiple letters and
numbers in a lename, which is common with loops, with one value being used to indicate
tempo—“loop-pp.wav,” for example. In this situation, it isn’t clear which, if either, of the /
pp values indicates a velocity or something else: or pp could be an abbreviation of “fast
funk” or “power pop,” for example. You can set a value of 8 to read the velocity at position
(letter/character) eight of the lename—namely, the pp. Alternatively, setting a value of 5
selects the as the velocity indicator.