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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 208
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Cuto and Reso(nance) elds: Independently oset the Cuto and Resonance settings for each
group. This can be useful if you want the initial impact of a note to be unltered for one group
but not other groups.
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Envelope 1/Envelope 2 Osets elds: Independently oset the envelope settings in the
Parameter window for each group. This is useful if you want the lter (Envelope 1) or volume
(Envelope 2) envelopes to aect the samples in a group—after the initial impact of the
triggered sounds.
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H(old) eld: Determines the time that the envelope is held at the maximum attack level, before
the decay phase begins.
Note: When the Trigger parameter is set to Key Release, the Decay Time parameter controls
the decay level, rather than Envelope 2 (the volume envelope). This means that when Trigger is
set to Key Release, the Envelope 2 Osets have no eect.
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Vel(ocity) Range: Sets a velocity range for the group. Velocity Range is useful for sounds where
you want to dynamically mix—or switch between—samples by playing your MIDI keyboard
harder or softer. This feature is ideal for layered sounds, such as a piano/string layer, or when
switching between dierent percussion samples.
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Lo: Sets the lowest velocity that triggers the group.
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Hi: Sets the highest velocity that triggers the group. Playing notes outside this velocity range
will not trigger the zones assigned to this group.
Note: The settings made here override zone settings. When a zone’s velocity range is larger
than the group setting, the zone’s velocity range is limited by the group setting.
Save, rename, and export EXS24 mkII instruments
You can access all basic sampler instrument le operations using the commands in the
Instrument Editor’s Instrument menu.
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Save: Saves the currently loaded sampler instrument. When you create a new instrument
and save it for the rst time, you are asked to provide a name. If you have edited an existing
sampler instrument and use this command, the existing lename is used and the original
instrument is overwritten. You can also use the Save Instrument key command.
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Save As: Saves the currently loaded sampler instrument, but you are prompted to provide a
dierent lename. Use this command when you want to save a copy or multiple versions of an
edited sampler instrument, rather than overwriting the original version.
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Rename: Renames the loaded sampler instrument. The renamed version replaces the original
version on the hard disk.
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Export Sampler Instrument and Sample Files: Copies the selected sampler instrument, including
all associated audio les, to another folder location. Choosing this command opens a dialog
where you can browse to an existing folder or create a new folder. You can also use the Export
Sampler Instrument and Sample Files key command (default: Control-C).