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Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 207
EXS24 mkII group parameters
Group parameters provide simultaneous control of all assigned zones.
Group parameters
•
Group Name eld: Displays the group name. Click to enter a name.
•
Key Range elds: Dene a key range for the group.
•
Lo: Sets the lowest note for the group.
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Hi: Sets the highest note for the group. Playing notes outside this range does not trigger the
zones assigned to this group.
Note: Take your time with these parameters because as they override zone range settings,
possibly making some zones inaudible.
•
Vol(ume): Adjusts the overall level of the group—and, therefore, the volume of all zones in the
group. This works much like a subgroup on a mixing console.
•
Pan: Adjusts the pan position of the group—stereo balance for stereo samples—and the pan
position of all assigned zones simultaneously.
Note: This will aect any individual zone panning adjustments.
•
Output: Determines the outputs used by the group. Choices include the main outputs and
paired channels 3 and 4, 5 and 6, 7 and 8, 9 and 10, or individual outputs 11 through 16.
This allows individual groups to be routed independently to aux channels in a multi-output
EXS24 mkII instance.
Note: This will have an impact on any individual zone output assignments.
•
Poly. (polyphony): Determines the number of voices that the group can play. The Max
option ensures that the group uses all voices allowed by the Voices parameter in the
Parameter window.
A practical use of the Poly parameter is to set up a classic “hi-hat mode” within a full drum kit
that is mapped across the keyboard. For example, you could assign an open and closed hi-hat
sample to a group, and set the Voices parameter of the group to 1. The most recently triggered
of the two hi-hat samples mutes the other because only one voice is allowed for the group.
This mirrors the real-world behavior of hi-hats. The other sounds of the drum kit can still be
played polyphonically, if samples in zones are assigned to another group.
•
Trigger menu: Determines if zones pointing to this group are triggered on key down (Key
Down setting) or on key release (Key Release setting). This is useful for emulating organ key
clicks, for example, where you may want the organ note triggered on key down, but the organ
click triggered on key release.
•
Dc (decay) checkbox: Select the checkbox to access the Decay Time parameter.
•
(Decay) Time eld: Determines the time it takes for the level of a sample (triggered by key
release) to decay.
Note: The Decay parameters function only when the Trigger parameter is set to Key Release.