X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 188
EXS24 mkII modulation via source reference
The following sources may be chosen from the Via pop-up menu to control the modulation
intensity.
Via source Comments
Side Chain Side Chain modulation uses a side-chain signal
as a modulation intensity (trigger) signal. You can
choose the side-chain source from the Side Chain
pop-up menu in the upper-right corner of the plug-in
window. It is fed to the internal envelope follower,
which creates a modulation value based on the
current side-chain input signal level.
Maximum Sets the value of this source to +1.
ENV 1 Envelope Generator 1 controls the modulation
intensity.
ENV 2 (Amp) Envelope Generator 2 controls the modulation
intensity.
LFO 1 The modulation uses the speed and waveform of
LFO 1, which controls the modulation intensity.
LFO 2 The modulation uses the speed and waveform of
LFO 2, which controls the modulation intensity.
LFO 3 The modulation uses the speed and waveform of
LFO 3, which controls the modulation intensity.
Release Velocity The modulation will be more or less intense
depending on how quickly you release the key.
Note: This requires a keyboard that sends release
velocity information.
Pressure If you choose Pressure (also known as aftertouch) from
the Via pop-up menu, the modulation intensity will
be touch sensitive—modulation will be more or less
intense depending on how rmly you press the key
of your touch-sensitive MIDI keyboard after the initial
keystrike.
Pitch Bend The pitch bend wheel controls the modulation
intensity.
Key Key(board) outputs the keyboard position—the MIDI
note number. The center point is C3, an output value
of 0. Five octaves below and above, an output value
of −1 or +1, respectively, is sent. If you select Pitch as
the destination, modulate it with the LFO1 source,
and select Key as the via value, the vibrato depth
changes, depending on key position. In other words,
the vibrato depth will be dierent for notes higher or
lower than the dened Key(board) position.
Velocity The modulation intensity will be velocity sensitive;
modulation will be more or less intense depending on
how quickly—that is, how hard—you strike the key.
--- Disables the via source.
MIDI Controllers 1–120 Modulation intensity is determined by the MIDI
controller value you choose.
Controllers 7 and 10 are marked Not available. Logic
Pro uses these controllers for volume and pan
automation of channel strips. Controller 11 is marked
Expression. It has a xed connection to this function,
but it can also be used to control other modulation
sources.