X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 187
EXS24 mkII modulation source reference
The following modulation sources are available in the Src pop-up menu:
Source Comments
Side Chain Side Chain modulation uses a side-chain signal as
a modulation signal. The side-chain source can be
chosen from the Side Chain pop-up menu in the
header of the plug-in window. It is fed to the internal
envelope follower, which creates a modulation value
based on the current side-chain input signal level.
Maximum Max sets the value of this source to +1 (an internal
value that indicates the maximum possible amount
for this source). This oers interesting options for
controlling the modulation intensity with all possible
via values.
ENV 1 Envelope Generator 1 is used as a source.
ENV 2 (Amp) Envelope Generator 2 is used as a source. Env 2 always
controls the level of the overall sound.
LFO 1 LFO 1 is used as a source.
LFO 2 LFO 2 is used as a source.
LFO 3 LFO 3 is used as a source.
Release Velocity The modulation occurs when you release a key
(this requires a keyboard that sends release velocity
information).
Pressure Pressure (also known as aftertouch) serves as a
modulation source. EXS24 mkII reacts to poly pressure
(polyphonic aftertouch).
Note: If you set the destination to Cuto, the cuto
frequencies rise and fall, depending on how rmly you
press a key on your touch-sensitive MIDI keyboard—
after the initial keystrike.
Pitch Bend The pitch bend wheel is used as a modulation source.
Key Kybd (Keyboard) outputs the keyboard position (the
MIDI note number). The center point is C3 (an output
value of 0, used internally by EXS24 mkII). An output
value of −1 indicates ve octaves below the center
point. An output value of +1 indicates ve octaves
above. Modulate the Cuto destination with the Key
source to control the cuto frequencies of the lter
with the keyboard position—as you play up and
down the keyboard, the cuto frequencies change.
A modulation intensity of 0.5 proportionately scales
cuto frequencies with keyboard note pitches.
Velocity Velocity serves as a modulation source.
--- Disables the source.
MIDI Controllers 1–120 The MIDI controller you choose serves as a
modulation source.
Controllers 7 and 10 are marked Not available. Logic
Pro uses these controllers for volume and pan
automation of channel strips. Controller 11 is marked
Expression. It has a xed connection to this function,
but it can also be used to control other modulation
sources.