X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 171
Crossfade (Xfade) parameters
•
Amount eld: Expands the velocity range of all zones by applying an identical value to each
layered zone. The crossfade takes place in the extended velocity range area. When the Amount
parameter is set to 0, EXS24 mkII switches from one zone to another.
Note: You can also set other modulation sources, such as the modulation wheel of your MIDI
keyboard, to modulate the Amount parameter. If you do this, the Amount parameter still
functions in the same way, but the crossfade is triggered by the modulation wheel rather than
by velocity.
•
Type pop-up menu: Choose the curve type for your velocity crossfade:
•
dB lin (dB linear): A logarithmic curve that evenly crossfades between zones
•
linear (gain linear): A convex crossfade curve with a rapid volume fade toward the end
•
Eq. Pow (equal power): A nonlinear curve with a rapid level increase at the beginning of the
fade. This is useful if your crossfade seems to drop in volume part way through.
EXS24 mkII pitch parameters
The EXS24 mkII pitch parameters enable you to adjust the tuning and transposition of the
loaded sampler instrument.
Pitch parameters
•
Tune knob: Rotate to raise or lower the pitch of the sampler instrument in semitone
increments. At the centered position—click the small 0 at the top—no pitch change occurs.
•
Transpose eld: Transpose EXS24 mkII in semitone increments. This not only aects the pitch
but also moves the zones by the specied value.
•
Random knob: Rotate to set the amount of random detuning applied to each voice. Use this
parameter to simulate the tuning drift of analog synthesizers or to thicken the sound. Random
is also eective when you are emulating various stringed instruments.
•
Fine knob: Rotate to tune the sampler instrument in cent increments—1/100th of a semitone.
Use this parameter to correct samples that are slightly out of tune or to create a thick
chorus-like eect.
•
Pitch Bend Up and Down pop-up menus: Set the upper and lower limit of pitch bends—in
semitones—that can be introduced by moving your keyboard’s pitch bend wheel. A value of 0
disables pitch bends.
Note: When you choose Linked in the Pitch Bend Down pop-up menu, the bend range is
identical in both directions—for example, if you assign an upward bend of 4 semitones, the
downward bend is also set to 4 semitones, resulting in a combined bend range of 8 semitones
(9, if you include the standard pitch, or “no bend” position).