X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 8 EVOC 20 PolySynth 146
EVOC 20 PolySynth formant lter
EVOC 20 PolySynth features two formant lter banks—one for the Analysis section and one
for the Synthesis section. Each bank provides up to 20 individual lters. The entire frequency
spectrum of an incoming signal is analyzed by the Analysis section and is divided equally into a
number of frequency bands. These analysis lter bands are mirrored by a corresponding number
of bands in the synthesis lter bank. Each lter bank controls the peak levels—the formants—
within these frequency bands.
The Formant Filter display is divided in two by a horizontal line. The upper half applies to the
Analysis section and the lower half to the Synthesis section. Parameter changes are instantly
reected in the Formant Filter display, thus providing invaluable feedback about what is
happening to the signal as it is routed through the two formant lter banks.
Formant Shift knob
Formant Stretch knob
Lowest button
Resonance knob
Highest button
High Frequency
parameters
Low Frequency
parameters
Formant lter parameters
•
Low and High Frequency parameters: Drag to set the lowest and highest frequencies allowed to
pass by the formant lter. Frequencies outside these boundaries are cut.
•
The length of the horizontal blue bar at the top represents the frequency range for both
analysis and synthesis (unless Formant Stretch or Formant Shift is used). You can move the
entire frequency range by dragging the blue bar. The silver handles on either end of the blue
bar set the Low Frequency and High Frequency values, respectively.
•
You can also drag vertically in the numeric elds to adjust the Low and High
frequency values.
•
Lowest and Highest buttons: Click to determine whether the lowest and highest lter bands act
as bandpass lters or whether they act as lowpass or highpass lters.
•
Lowest button: Determines whether the lowest lter band acts as a bandpass or highpass
lter. In bandpass mode, the frequencies above and below the lowest band are ignored. In
highpass mode, all frequencies below the lowest band are ltered.
•
Highest button: Determines whether the lowest lter band acts as a bandpass or lowpass
lter. In bandpass mode, the frequencies above and below the highest band are ignored. In
lowpass mode, all frequencies above the highest band are ltered.
•
Resonance knob: Rotate to determine the basic sonic character of the vocoder. Low settings
result in a softer character; high settings result in a sharper character. Technically, increasing
the Resonance value emphasizes the middle frequency of each frequency band.