X

Chapter 3 ES2 107
ES2 Wheelsyncer setting
Never obsolete—and undergoing a renaissance in electronic music—are sync sounds.
Wheelsyncer is a single-oscillator lead sound; all other oscillators are switched o.
Although oscillator 2 is the only one actively making any sound, it is directly dependent on
oscillator 1.
If you change oscillator 1’s pitch or tuning, the overall pitch of the sound will go out of tune or
will be transposed.
The pitch of oscillator 2 provides the tone-color (or the harmonics) for the sync sound.
Pitch changes are controlled by modulation routing 7—oscillator 2 pitch is assigned to the
mod wheel.
If you move the wheel, you can scroll through the spectrum of harmonics that have been
programmed—for real-time changes. Any modication here starts with the pitch of oscillator 2
itself, which is set to 3 semitones below the overall pitch. Feel free to start with a dierent pitch
for oscillator 2; it won’t aect the tuning of the sound.
The next modication may be modulation routing 7’s intensity (or the interval). The maximum
value has been chosen—if this is too extreme for your needs, feel free to reduce it.
Another modication lies in the tone color of the lead sound itself. oscillator 1 is switched
o, because the patch is OK as it is. If you switch it on, all oscillator 1 waveforms—including
Digiwaves, standard waveforms, or a sine wave (which can be further modulated by FM)—are
available for use.
All real-time controls are via the mod wheel, which is used for opening the lter on modulation
routing 6, a panning movement on modulation routing 8, and acceleration of panning
movement on modulation routing 9. If you have deeper modulation ambitions, a similar setup is
used for a Leslie speaker simulation in the Wheelrocker setting (see ES2 Wheelrocker setting on
page 104).