10.6
Table Of Contents
- Contents
- Instruments overview
- Alchemy
- Logic Pro Alchemy overview
- Alchemy user interface
- Logic Pro Alchemy name bar
- Alchemy Preset browser
- Alchemy sound sources
- Logic Pro Alchemy source overview
- Logic Pro Alchemy source master controls
- Logic Pro Alchemy Import browser
- Logic Pro Alchemy source subpage controls
- Logic Pro Alchemy source filters
- Logic Pro Alchemy source filter use tips
- Logic Pro Alchemy source elements overview
- Logic Pro Alchemy additive element controls
- Logic Pro Alchemy additive element effects
- Logic Pro Alchemy spectral element controls
- Logic Pro Alchemy spectral element effects
- Logic Pro Alchemy pitch correction controls
- Logic Pro Alchemy formant filter controls
- Logic Pro Alchemy granular element controls
- Logic Pro Alchemy sampler element controls
- Logic Pro Alchemy VA element controls
- Logic Pro Alchemy source modulations
- Logic Pro Alchemy morph controls
- Alchemy source editors
- Logic Pro Alchemy source edit window overview
- Logic Pro Alchemy inspector global controls
- Logic Pro Alchemy inspector group controls
- Logic Pro Alchemy inspector zone controls
- Logic Pro Alchemy keymap editor
- Logic Pro Alchemy zone waveform editor
- Logic Pro Alchemy additive edit window overview
- Logic Pro Alchemy partial bar display
- Logic Pro Alchemy partial envelope
- Logic Pro Alchemy spectral edit window
- Alchemy main filters
- Logic Pro Alchemy master voice section
- Alchemy modulation section
- Logic Pro Alchemy modulation overview
- Logic Pro Alchemy modulation rack controls
- Logic Pro Alchemy LFO controls
- Logic Pro Alchemy AHDSR envelopes
- Logic Pro Alchemy multiple segment envelopes
- Logic Pro Alchemy sequencer
- Logic Pro Alchemy envelope follower
- Logic Pro Alchemy ModMap
- Logic Pro Alchemy MIDI control modulators
- Logic Pro Alchemy note property modulators
- Logic Pro Alchemy perform control modulators
- Alchemy perform section
- Alchemy arpeggiator
- Logic Pro Alchemy arpeggiator overview
- Logic Pro Alchemy basic arpeggiator controls
- Logic Pro Alchemy arpeggiator sequencer
- Logic Pro Alchemy arpeggiator menu commands
- Use the Logic Pro Alchemy arpeggiator
- Turn the selected arpeggiator on or off in Alchemy
- Create classic arpeggiator patterns in Alchemy
- Create an octave bouncing bassline in Alchemy
- Arpeggiate multiple sources with different settings for each in Alchemy
- Create a more complex arpeggiator pattern using the sequencer section in Alchemy
- Create a step sequencer style pattern with pitch glides in Alchemy
- Create synchronized rhythmic pulsing chord patterns in Alchemy
- Alchemy effects section
- Logic Pro Alchemy extended parameters
- Alchemy tutorials
- Logic Pro Alchemy tutorial introduction
- Logic Pro Alchemy basic synthesis tweaks
- Use performance and effect controls to tweak a sound in Alchemy
- Swap the source to tweak a sound in Alchemy
- Mute a source to use a partial preset in Alchemy
- Adjust the tuning and envelope of a source in Alchemy
- Adjust filters to tweak a sound in Alchemy
- Recycle sources and sound settings from other presets in Alchemy
- Create Logic Pro Alchemy sounds from scratch
- Logic Pro Alchemy elemental morphs overview
- Logic Pro Alchemy morph use and tips
- Manually time-aligning morphed sounds in Alchemy
- Explore source morphing options and controls in Alchemy
- Crossfade all four sources using an X/Y pad performance control in Alchemy
- Morph four spectral sources using an X/Y pad performance control in Alchemy
- Create a linear morph between two speech samples in Alchemy
- Morph four additive sources using a pair of MSEG envelopes in Alchemy
- Morph drum beats in Logic Pro Alchemy
- Morph melodic sounds in Logic Pro Alchemy
- Manipulate loops in Logic Pro Alchemy
- Drum Kit Designer
- Drum Machine Designer
- Logic Pro Drum Machine Designer overview
- Logic Pro Drum Machine Designer interface
- Manage Logic Pro Drum Machine Designer kits
- Grid Pad Controls
- Logic Pro Drum Machine Designer Pad controls bar
- Use Logic Pro Drum Machine Designer pad controls
- Pad parameters
- Add kit pieces to unassigned pads
- Add samples to unused pads on a Drum Machine Designer master or subtrack
- Play a drum or kit piece
- Mute a kit piece
- Solo a kit piece
- Edit the sound of a kit piece
- Save an edited kit piece sound as a kit piece patch
- Reorder kit pieces
- Replace kit pieces using pads
- Replace kit pieces using Drum Machine Designer subtracks
- Kit Tone and Effect Smart Controls
- Kit Piece Tone and Effect Smart Controls
- Drum Synth
- ES1
- Logic Pro ES1 overview
- ES1 oscillator parameters
- Logic Pro ES1 global parameters
- ES1 filter parameters
- Logic Pro ES1 amplifier parameters
- ES1 envelope parameters
- ES1 modulation
- Logic Pro ES1 MIDI controllers
- ES2
- Logic Pro ES2 overview
- Logic Pro ES2 interface overview
- ES2 sound sources
- Logic Pro ES2 oscillator parameters overview
- Logic Pro ES2 basic oscillator waveforms
- Use pulse width modulation in Logic Pro ES2
- Use frequency modulation in Logic Pro ES2
- Use ring modulation in Logic Pro ES2
- Use Logic Pro ES2 Digiwaves
- Use the Logic Pro ES2 noise generator
- Detune analog oscillators in Logic Pro ES2
- Stretch tuning in Logic Pro ES2
- Balance Logic Pro ES2 oscillator levels
- Set Logic Pro ES2 oscillator start points
- SynchronizeLogic Pro ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- Logic Pro ES2 filter overview
- Change the Logic Pro ES2 filter configuration
- Crossfade between Logic Pro ES2 filters
- Logic Pro ES2 Filter 1 modes
- Logic Pro ES2 Filter 2 slopes
- ES2 filter cutoff and resonance
- Overdrive Logic Pro ES2 filters
- Modulate Logic Pro ES2 Filter 2 frequency
- ES2 amplifier parameters
- ES2 modulation
- Logic Pro ES2 modulation overview
- ES2 modulation router
- ES2 LFOs
- Use Logic Pro ES2 LFOs
- ES2 envelopes
- Use the Logic Pro ES2 Vector Envelope
- Vector Envelope points, times, and loops
- Use the Logic Pro ES2 Planar Pad
- ES2 modulation target reference
- Logic Pro ES2 modulation source reference
- Logic Pro ES2 via modulation source reference
- Logic Pro ES2 integrated effects processor
- ES2 macro controls and controller assignments
- Use Logic Pro ES2 in Surround mode
- Logic Pro ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Create ES2 sounds from scratch
- Logic Pro ES2 sound design from scratch
- Create fat Logic Pro ES2 sounds
- Create Logic Pro ES2 bass sounds
- Create Logic Pro ES2 FM sounds
- Use FM Intensity and Frequency to create new sounds in ES2
- Control ES2 FM intensity with an envelope and FM scaling
- Use FM Drive and Filter FM to change the tonal color in ES2
- Create FM sounds with Digiwaves in ES2
- Create FM sounds with wavetables in ES2
- Create distorted FM sounds with monophonic unison in ES2
- Create FM sounds with unusual spectra in ES2
- Create Logic Pro ES2 PWM sounds
- Create Logic Pro ES2 ring modulated sounds
- Create Logic Pro ES2 oscillator sync sounds
- Vector synthesis in Logic Pro ES2
- Create ES2 sounds with templates
- Create ES2 sounds from scratch
- EFM1
- ES E
- ES M
- ES P
- EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- Logic Pro EVOC 20 PolySynth interface
- Logic Pro EVOC 20 PolySynth analysis controls
- Logic Pro EVOC 20 PolySynth (U/V) detection
- EVOC 20 PolySynth synthesis parameters
- Logic Pro EVOC 20 PolySynth formant filter
- Logic Pro EVOC 20 PolySynth modulation
- Logic Pro EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- Logic Pro EVOC 20 block diagram
- Quick Sampler
- Logic Pro Quick Sampler overview
- Add content to Logic Pro Quick Sampler
- Quick Sampler modes
- Logic Pro Quick Sampler waveform display
- Use Flex in Logic Pro Quick Sampler
- Quick Sampler modulators
- Logic Pro Quick Sampler Pitch controls
- Logic Pro Quick Sampler Filter controls
- Logic Pro Quick Sampler filter types
- Logic Pro Quick Sampler Amp controls
- Logic Pro Quick Sampler extended parameters
- Retro Synth
- Logic Pro Retro Synth overview
- Logic Pro Retro Synth Analog oscillator
- Logic Pro Retro Synth Sync oscillator
- Retro Synth Table oscillator controls
- Logic Pro Retro Synth FM oscillator
- Logic Pro Retro Synth filter controls
- Logic Pro Retro Synth filter types
- Logic Pro Retro Synth amp and effect controls
- Retro Synth modulation controls
- Logic Pro Retro Synth global settings
- Logic Pro Retro Synth extended parameters
- Sampler
- Sampler overview
- Load and save instruments in Sampler
- Load an instrument from the plug-in Settings pop-up menu
- Load the next or previous instrument in your sampler instrument library
- Filter the instrument display in the plug-in Settings pop-up menu
- Open Quick Sampler settings with Sampler
- Save a sampler instrument
- Save a Sampler patch in the Library
- Load a Sampler patch from the Library
- Sampler Synthesizer Parameters
- Sampler Modulation
- Sampler Edit panes
- Sampler Mapping and Zone pane overview
- Use the Sampler Key Mapping Editor
- Use Sampler Group view
- Make advanced group selections in Sampler
- Fade between sample groups in Sampler
- Use Sampler Zone view
- Use the Sampler Mapping pane menu bar
- Mapping pane menu parameters
- Use Mapping pane Edit menu commands
- Use Mapping pane Group menu commands
- Use Mapping pane Zone menu commands
- Use Mapping pane Zone menu Split commands
- Use Mapping pane Zone menu Automap commands
- Use Mapping pane Zone menu Remap commands
- Use Mapping pane Zone menu Loop commands
- Use Mapping pane Zone menu Audio Files commands
- Use Mapping pane View menu commands
- Use the Sampler Zone pane
- Synchronize Sampler audio with Flex
- Edit in the Logic Pro Audio File Editor
- Create instruments, zones, and groups
- Sampler instruments overview
- Create instruments with Sampler
- Quickly create an instrument
- Quickly create instruments from audio regions
- Create zones with drag and drop
- Create a zone by dragging content into the zone pane
- Create a zone by dragging content to one or more keys
- Add multiple files to the Key Mapping Editor
- Add multiple files to the Zone view and create a new group
- Add zones by dragging audio files, regions, or loops to a software instrument track
- Create a new, empty instrument
- Create an empty zone with a menu command, and assign a sample to it
- Create instruments with menu commands
- Create groups in Sampler
- Edit Sampler zones and groups
- Edit zones and groups in Sampler
- Select a zone or group in Sampler
- Graphically edit zones and groups in Sampler
- Move one or more zones by dragging
- Move one or more selected zones to the left or right with a key command
- Restrict zone dragging to one direction
- Change the root key when moving a zone
- Change the start or end note of a zone
- Change the velocity range of a zone
- Divide a zone vertically
- Divide a zone horizontally
- Use zone and group output labels in Sampler
- Use key labels in Sampler
- Sampler articulation handling
- Manage sampler instruments
- Sampler memory management
- Sampler extended parameters
- Sculpture
- Logic Pro Sculpture overview
- Logic Pro Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Logic Pro Sculpture global parameters
- Logic Pro Sculpture amplitude envelope
- Use the Logic Pro Sculpture Waveshaper
- Logic Pro Sculpture filter parameters
- Sculpture Body EQ parameters
- Sculpture delay effect parameters
- Logic Pro Sculpture output parameters
- Logic Pro Sculpture surround range and diversity
- Sculpture modulation controls
- Logic Pro Sculpture modulation overview
- Sculpture LFOs
- Logic Pro Sculpture Vibrato parameters
- Logic Pro Sculpture Jitter generators
- Logic Pro Sculpture note-on random modulators
- Logic Pro Sculpture velocity modulators
- Use Controller A and B in Logic Pro Sculpture
- Sculpture envelope parameters
- Sculpture morph parameters
- Assign Logic Pro Sculpture MIDI controllers
- Logic Pro Sculpture extended parameters
- Sculpture tutorials
- Explore Sculpture
- Create basic sounds in Sculpture
- Advanced Sculpture tutorial: electric bass
- Electric bass programming in Logic Pro Sculpture
- Program a basic bass sound in Logic Pro Sculpture
- Create the proper working environment for design of your own bass sound in Sculpture
- Recreate the sound characteristics of a typical bass instrument in Sculpture
- Recreate the material properties of a set of round wound strings in Sculpture
- Splay overtones in Sculpture
- Emulate string and fret vibrations with Object 2 in Sculpture
- Use Object 3 to dampen overtones in Sculpture
- Set the range for the basic bass sound in Sculpture
- Refine the basic Logic Pro Sculpture bass sound
- Use the Resolution parameter to control the timbre, independent of pitch in Sculpture
- Use the Inner Loss parameter to scale the overtone content, dependent on pitch in Sculpture
- Set sustain levels for the basic bass sound, dependent on pitch in Sculpture
- Alter the frequency spectrum of your basic bass with the Body EQ in Sculpture
- Program a picked bass sound in Logic Pro Sculpture
- Simulate playing with a pick in Sculpture
- Compensate for thinning side effects with the Body EQ in Sculpture
- Emulate bass guitar damping in Sculpture
- Simulate harmonics created by fingers lightly touching the strings in Sculpture
- Emulate a vintage flat wound pick bass in Sculpture
- Emulate a Bert Kaempfert-style percussive bass in Sculpture
- Program a slap bass sound in Logic Pro Sculpture
- Program a fretless bass sound in Logic Pro Sculpture
- Add effects to your Logic Pro Sculpture bass sound
- Advanced Sculpture tutorial: synthesizer sounds
- Studio Instruments
- Ultrabeat
- Logic Pro Ultrabeat overview
- Logic Pro Ultrabeat interface
- Ultrabeat Assignment section
- Logic Pro Ultrabeat Synthesizer section
- Ultrabeat sound sources
- Logic Pro Ultrabeat oscillator overview
- Use Logic Pro Ultrabeat oscillator 1 phase osc mode
- Use Logic Pro Ultrabeat oscillator 1 FM mode
- Use the Logic Pro Ultrabeat oscillator 1 side chain
- Use Logic Pro Ultrabeat oscillator 2 phase osc mode
- Logic Pro Ultrabeat waveform characteristics
- Use Logic Pro Ultrabeat oscillator 2 sample mode
- Use Logic Pro Ultrabeat oscillator 2 model mode
- Logic Pro Ultrabeat ring modulator
- Logic Pro Ultrabeat noise generator
- Logic Pro Ultrabeat filter section
- Logic Pro Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Logic Pro Ultrabeat modulation overview
- Mod and via modulations in Logic Pro Ultrabeat
- Create a modulation routing in Logic Pro Ultrabeat
- Assign Logic Pro Ultrabeat MIDI controllers
- Use Logic Pro Ultrabeat LFOs
- Logic Pro Ultrabeat envelope overview
- Logic Pro Ultrabeat envelope parameters
- Use the Logic Pro Ultrabeat modulation target display
- Ultrabeat step sequencer
- Logic Pro Ultrabeat step sequencer overview
- Logic Pro Ultrabeat step sequencer basics
- Logic Pro Ultrabeat step sequencer interface
- Logic Pro Ultrabeat global sequencer controls
- Use Logic Pro Ultrabeat pattern controls
- Use the Logic Pro Ultrabeat swing function
- Ultrabeat Step grid
- Automate Ultrabeat step sequencer parameters
- Export Logic Pro Ultrabeat patterns
- Logic Pro Ultrabeat sequencer MIDI control
- Ultrabeat tutorials
- Sound programming in Logic Pro Ultrabeat
- Create kick drums in Logic Pro Ultrabeat
- Create snare drums in Logic Pro Ultrabeat
- Create tonal percussion in Logic Pro Ultrabeat
- Create hi-hats or cymbals in Logic Pro Ultrabeat
- Create metallic sounds in Logic Pro Ultrabeat
- Tips for extreme Logic Pro Ultrabeat sounds
- Utilities
- Vintage B3 Organ
- Logic Pro Vintage B3 Organ overview
- Vintage B3 Main window
- Logic Pro Vintage B3 Main window overview
- Logic Pro Vintage B3 draw bar controls
- Logic Pro Vintage B3 Scanner Vibrato and Chorus
- Logic Pro Vintage B3 Percussion effect
- Use Logic Pro Vintage B3 preset keys
- Set up Vintage B3 for your MIDI equipment
- Vintage B3 Rotor Cabinet window
- Vintage B3 Options window
- Vintage B3 Effects window
- Vintage B3 Expert window
- Use a MIDI controller with Vintage B3
- B3 and Leslie information
- Vintage Clav
- Logic Pro Vintage Clav overview
- Logic Pro Vintage Clav interface
- Vintage Clav Main window
- Vintage Clav Effects window
- Vintage Clav Details window
- Logic Pro Vintage Clav extended parameters
- D6 Clavinet information
- Vintage Electric Piano
- Logic Pro Vintage Electric Piano overview
- Logic Pro Vintage Electric Piano interface
- Vintage Electric Piano Effects window
- Vintage Electric Piano Details window
- Logic Pro Vintage Electric Piano extended parameters
- Vintage Electric Piano emulations
- Logic Pro Vintage Electric Piano MIDI controllers
- Vintage Mellotron
- Legacy instruments
- Logic Pro legacy instruments overview
- Emulated instruments
- Logic Pro Legacy Bass
- Logic Pro Legacy Church Organ
- Logic Pro Legacy Drum Kits
- Logic Pro Legacy Electric Clav(inet)
- Logic Pro Legacy Electric Piano
- Logic Pro Legacy Guitar
- Logic Pro Legacy Horns
- Logic Pro Legacy Piano
- Logic Pro Legacy Sound Effects
- Logic Pro Legacy Strings
- Logic Pro Legacy Tuned Percussion
- Logic Pro Legacy Voice
- Logic Pro Legacy Woodwind
- Logic Pro Legacy Tonewheel Organ
- Synthesizers
- Logic Pro Legacy Analog Basic
- Logic Pro Legacy Analog Mono
- Logic Pro Legacy Analog Pad
- Logic Pro Legacy Analog Swirl
- Logic Pro Legacy Analog Sync
- Logic Pro Legacy Digital Basic
- Logic Pro Legacy Digital Mono
- Logic Pro Legacy Digital Stepper
- Logic Pro Legacy External Instrument
- Logic Pro Legacy Hybrid Basic
- Logic Pro Legacy Hybrid Morph
- Synthesizer basics
434Logic Pro Instruments
Create an empty zone with a menu command, and assign a sample to it
1. In the Logic Pro Sampler Mapping pane, choose Zone > New.
A new group is shown in the Mapping pane, and a zone is automatically added to the
group.
2. Do one of the following:
• In the Zone pane, drag an audio file into the waveform display area.
• In Zone view, click the File column, then choose Load Audio File from the pop-up
menu.
• In Zone view, drag an audio file from the Finder, Loop Browser, or File Browser into
the empty Name field of the zone in the Audio File column.
• In the Key Mapping Editor, press and hold Command-Shift, then drag the pointer
to create a new, empty zone. You can add a sample to the zone using any of the
methods discussed.