10.6

380Logic Pro Instruments
• Gritty: Two-pole filters designed to saturate heavily at higher Resonance and Drive
settings.
• Lush: Four-pole lowpass analog-modeled filters.
• Lush (Fat): Four-pole analog-modeled filters.
• Sharp: Two-pole analog-modeled filters.
The three principal filter controls have standard functions for all filter types.
• Cutoff: Controls the filter cutoff frequency.
• Resonance: Controls the filter resonance or emphasis. Higher settings boost
frequencies in the immediate vicinity of the cutoff frequency.
• Drive: Allows the filter to be overdriven; the precise effect varies with each filter design.
Sampler Modulation
Sampler modulation overview
In Sampler, you can use the extensive range of modulation sources and targets to generate
extraordinary sounds that constantly evolve, or are just plain expressive to play. You
can use modulators to more accurately emulate different playing techniques of various
instruments. As examples, emulating the change in embouchure of a brass player, or
introducing a delayed vibrato for a stringed instrument.
If you’re new to the concepts and use of synthesizer modulators, see Modulation overview.
You can access all Sampler modulation parameters and functions in two panes.
• Mod Matrix pane: Use to create a modulation routing where you can link a modulation
source, such as an envelope, to a modulation target, such as the filter. You can use up to
twenty modulation routings in your sampler instruments. See Use the Sampler Mod Matrix.
• Modulators pane: You can use the modulators, which include the LFOs and envelopes,
to control your sounds. See Sampler LFO overview and Sampler envelopes.