X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 4 Dynamics processors 89
Use Ducker
Ducking is a common technique used in radio and television broadcasting. When the DJ or
announcer speaks while music is playing, the music level is automatically reduced. When the
announcement has nished, the music is automatically raised to its original volume level. Ducker
provides a simple means of achieving this result with existing recordings. It does not work in real
time.
Note: For technical reasons, Ducker can be inserted only in output and aux channel strips.
Ducker parameters
•
Ducking O/On buttons: Turn ducking on or o.
•
Lookahead O/On buttons: Turn on to make sure that Ducker reads the incoming signal before
processing. This results in no latency—it is primarily intended for slower computers.
•
Amount slider and eld: Drag to set the amount of volume reduction of the music mix channel
strip—in eect, the output signal.
•
Threshold slider and eld: Drag to set the lowest level that a side-chain signal must attain before
it begins to reduce the music mix output level—by the amount set with the Amount slider. If
the side-chain signal level doesn’t reach the threshold, the music mix channel strip volume is
not aected.
•
Attack slider and eld: Drag to control how quickly the volume is reduced. If you want the
music mix signal to be gently faded out, set this slider to a high value. The Attack value also
controls whether or not the signal level is reduced before the threshold is reached. The earlier
this occurs, the more latency is introduced.
Note: This only works if the ducking signal is not live—the ducking signal must be an existing
recording. Logic Pro needs to analyze the signal level before it is played back to predene the
point where ducking begins.
•
Hold slider and eld: Drag to dene the length of time that the music mix channel strip volume
is reduced. This control prevents a chattering eect that can be caused by a rapidly changing
side-chain level. If the side-chain level hovers around the threshold value rather than clearly
exceeding or falling short of it, set the Hold parameter to a high value to compensate for any
rapid volume reductions.