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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 4 Dynamics processors 83
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Noise gates: Noise gates alter the signal in a way that is opposite to that used by compressors
or limiters. Whereas a compressor lowers the level when the signal is louder than the
threshold, a noise gate lowers the signal level whenever it falls below the threshold. Louder
sounds pass through unchanged, but softer sounds, such as ambient noise or the decay of a
sustained instrument, are cut o. Noise gates are often used to eliminate low-level noise or
hum from an audio signal.
Adaptive Limiter
Adaptive Limiter is a versatile tool for controlling the perceived loudness of sounds. It works by
rounding and smoothing peaks in the signal, producing an eect similar to an analog amplier
being driven hard. Like an amplier, it can slightly color the sound of the signal. You can use
Adaptive Limiter to achieve maximum gain, without introducing unwanted distortion and
clipping, which can occur when the signal exceeds 0 dBFS.
Adaptive Limiter is typically used on the nal mix, where it can be placed after a compressor,
such as Multipressor, and before a nal gain control, resulting in a mix of maximum loudness.
Adaptive Limiter can produce a louder-sounding mix than can be achieved by normalizing
the signal.
Note: Using Adaptive Limiter adds latency when the Lookahead parameter is active. The eect
is typically used for mixing and mastering previously recorded tracks, not while recording. You
should bypass Adaptive Limiter while recording.
Adaptive Limiter parameters
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Input meters: Show input levels in real time. The Margin eld shows the highest input level. You
can reset the Margin eld by clicking it.
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Input Scale knob and eld: Rotate to scale the input level. Scaling is useful for handling very
high-level or low-level input signals. It “squeezes” the higher and lower signal levels into a
range that allows the Gain knob to work eectively. Avoid input levels above 0 dBFS, which
can result in unwanted distortion.
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Gain knob and eld: Rotate to set the amount of gain after input scaling.
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Out Ceiling knob and eld: Rotate to set the maximum output level, or ceiling. The signal will
not rise above this.