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Chapter 3 Distortion eects 79
Distortion eect
The Distortion eect simulates the low delity distortion generated by a bipolar transistor. You
can use it to simulate playing a musical instrument through a highly overdriven amplier or to
create unique distorted sounds.
Distortion parameters
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Drive slider and eld: Drag to set the amount of saturation applied to the signal.
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Display: Shows the impact of parameters on the signal.
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Tone knob and eld: Rotate to set the frequency for the high cut lter. Filtering the harmonically
rich distorted signal produces a softer tone.
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Output slider and eld: Drag to set the output level. This enables you to compensate for
increases in loudness caused by adding distortion.
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Level Compensation checkbox (Extended parameter): Turn on to reference the overall processing
of the signal to 0 dB, making the output louder.
Distortion II
Distortion II emulates the distortion circuit of a Hammond B3 organ. You can use it on musical
instruments to recreate this classic eect or can use it creatively when designing new sounds.
Distortion II parameters
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PreGain knob: Rotate to set the amount of gain applied to the input signal.
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Drive knob: Rotate to set the amount of saturation applied to the signal.
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Tone knob: Rotate to set the frequency of the highpass lter. Filtering the harmonically rich
distorted signal produces a softer tone.
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Type pop-up menu: Choose the type of distortion.
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Growl: Emulates a two-stage tube amplier similar to the type found in a Leslie 122 speaker
cabinet, which is often used with the Hammond B3 organ.
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Bity: Emulates the sound of a bluesy (overdriven) guitar amp.
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Nasty: Produces hard distortion, suitable for creating very aggressive sounds.