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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 3 Distortion eects 78
Clip Distortion
Clip Distortion is a nonlinear distortion eect that produces unpredictable spectra. It can
simulate warm, overdriven tube sounds and can also generate heavy distortions.
Clip Distortion has an unusual combination of serially connected lters. The incoming signal
is amplied by the Drive value, passes through a highpass lter, then is subjected to nonlinear
distortion. Following the distortion, the signal passes through a lowpass lter. The eect signal is
then recombined with the original signal and this mixed signal is sent through a further lowpass
lter. All three lters have a slope of 6 dB/octave.
This unique combination of lters allows for gaps in the frequency spectra that can sound good
with this sort of nonlinear distortion.
Clip Distortion parameters
•
Drive slider and eld: Drag to set the amount of gain applied to the input signal. After being
amplied by the Drive value, the signal passes through a highpass lter.
•
Tone slider and eld: Drag to set the cuto frequency (in hertz) of the highpass lter.
•
Clip Circuit display: Shows the impact of all parameters, with the exception of the High Shelving
lter parameters.
•
Symmetry slider and eld: Drag to set the amount of nonlinear (asymmetrical) distortion
applied to the signal.
•
Clip Filter slider and eld: Drag to set the cuto frequency (in hertz) of the rst lowpass lter.
•
Mix slider and eld: Drag to set the ratio between the eect (wet) signal and original (dry)
signals, following the Clip Filter.
•
Sum LPF knob and eld: Drag to set the cuto frequency (in hertz) of the lowpass lter. This
processes the mixed signal.
•
(High Shelving) Frequency knob and eld: Rotate to set the frequency (in hertz) of the high
shelving lter. If you set the High Shelving Frequency to around 12 kHz, you can use it like the
treble control on a mixer channel strip or a stereo hi- amplier. Unlike these types of treble
controls, however, you can boost or cut the signal by up to ±30 dB with the Gain parameter.
•
(High Shelving) Gain knob and eld: Rotate to set the amount of gain applied to the output of
signals above the high shelving lter frequency.
•
Input Gain eld and slider (Extended Parameters area): Drag to set the amount of gain applied to
the input signal.
•
Output Gain eld and slider (Extended Parameters area): Drag to set the amount of gain applied
to the output signal.