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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 3 Distortion eects 77
Bitcrusher
Bitcrusher is a low-resolution digital distortion eect. You can use it to emulate the sound of early
digital audio devices, to create articial aliasing by dividing the sample rate, or to distort signals
until they are unrecognizable.
Bitcrusher parameters
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Drive slider and eld: Drag to set the amount of gain applied to the input signal (in decibels).
Note: Raising the Drive level tends to increase the amount of clipping at the output of the
Bitcrusher as well.
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Resolution slider and eld: Drag to set the bit rate (between 1 and 24 bits). This alters the
calculation precision of the process. Lowering the value increases the number of sampling
errors, generating more distortion. At extremely low bit rates, the amount of distortion can be
greater than the level of the usable signal.
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Waveform display: Shows the impact of parameters on the distortion process.
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Downsampling slider and eld: Drag to reduce the sample rate. A value of 1x has no eect on
the signal, a value of 2x halves the sample rate, and a value of 10x reduces the sample rate to
one-tenth of the original. (For example, if you set Downsampling to 10x, a 44.1 kHz signal is
sampled at just 4.41 kHz.)
Note: Downsampling has no impact on the playback speed or pitch of the signal.
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Mode buttons: Set the distortion mode to Folded, Cut, or Displaced. Signal peaks that exceed
the clip level are processed.
Note: The Clip Level parameter has a signicant impact on the behavior of all three modes.
This is reected in the Waveform display, so try each mode button and adjust the Clip Level
slider to get a feel for how this works.
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Folded button: The center portion of the signal is halved in level above the threshold,
resulting in a softer distortion. The start and end levels of the clipped signal are unchanged.
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Cut button: Causes abrupt distortion when the clipping threshold is exceeded. Clipping that
occurs in most digital systems is closest to Cut mode.
•
Displaced button: The start, mid, and end levels of the signal (above the threshold) are oset,
resulting in less severe distortion as signal levels cross the threshold. The center portion of
the clipped signal is also softer than in Cut mode.
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Clip Level slider and eld: Drag to set the point (below the clipping threshold of the channel) at
which the signal starts clipping.
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Mix slider and eld (Extended Parameters area): Drag to set the balance between dry (original)
and wet (eect) signals.