X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
76
Distortion eects overview
Distortion eects simulate the distortion created by vacuum tubes, transistors, or digital circuits.
Vacuum tubes were used in audio ampliers before the development of digital audio technology.
They are still used in musical instrument ampliers today. When overdriven, tubes produce a
musically pleasing distortion that has become a familiar part of the sound of rock and pop music.
Analog tube distortion adds a distinctive warmth and bite to the signal.
There are also distortion eects that intentionally cause clipping and digital distortion of the
signal. These can be used to modify vocal, music, and other tracks to produce an intense,
unnatural tone, or to create sound eects.
Distortion eects include parameters for tone, which let you shape the way the distortion alters
the signal (often as a frequency-based lter), and for gain, which let you control how much the
distortion alters the output level of the signal.
WARNING: When set to high output levels, distortion eects can damage your hearing—and
your speakers. When you adjust eect settings, it is recommended that you lower the output
level of the track, and raise the level gradually when you are nished.
Distortion eects
3