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Chapter 2 Delay eects 75
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Low Cut and High Cut sliders and elds: Drag to cut frequencies below the Low Cut value and
above the High Cut value from the source signal. You can shape the sound of taps (delay
repeats) with the highpass and lowpass lters. The lters are located in the feedback circuit,
which means that the ltering eect increases in intensity with each delay repeat. If you want
an increasingly muddy and confused tone, move the High Cut slider toward the left. For ever
thinner echoes, move the Low Cut slider toward the right. If you can’t hear the eect, check
the Dry and Wet controls and the lter settings.
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Smooth slider and eld: Drag to even out the LFO and utter eect.
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LFO Rate knob and eld: Rotate to set the speed of the LFO.
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LFO Depth knob and eld: Rotate to set the amount of LFO modulation. A value of 0 turns delay
modulation o.
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Flutter Rate and Intensity sliders and elds: Simulate the speed irregularities of the tape
transports used in analog tape delay units.
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Flutter Rate: Drag to set the speed variation.
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Flutter Intensity: Drag to determine the intensity of the eect.
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Dry and Wet sliders and elds: Drag to independently control the amount of original and
eect signal.
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Distortion Level slider and eld (Extended Parameters area): Drag to set the level of the distorted
(tape saturation) signal.