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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 2 Delay eects 74
Common parameters
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Beat Sync button: Turn on to synchronize delay repeats to the project tempo.
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Output Mix (Left and Right) sliders and elds: Drag to independently control the level of the left
and right channel signals.
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Low Cut and High Cut sliders and elds: Drag to cut frequencies below the Low Cut value and
above the High Cut value from the source signal.
Tape Delay
Tape Delay simulates the sound of vintage tape echo machines. It can run at a free rate or can
be synchronized with the project tempo. The eect is equipped with a highpass and lowpass
lter in the feedback loop, making it easy to create authentic dub echo eects. Tape Delay also
includes an LFO for delay time modulation. This can be used to produce chorus eects, even on
long delays.
Tape Delay parameters
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Feedback slider: Drag to set the amount of delayed and ltered signal that is routed back to
the input. Set to the lowest possible value to generate a single echo. Set to 100% to endlessly
repeat the signal. The levels of the original signal and taps (echo repeats) tend to accumulate
and may cause distortion. Use the internal tape saturation circuit to make these overdriven
signals sound pleasant.
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Freeze button: Captures the current delay repeats and sustains them until Freeze is turned o.
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Delay eld: Drag to set the delay time in milliseconds. (This parameter is dimmed when you
synchronize the delay time to the project tempo.)
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Sync button: Click to synchronize delay repeats with the project tempo (including tempo
changes).
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Tempo eld: Drag to set the delay time in beats per minute. (This parameter is dimmed when
you synchronize the delay time to the project tempo.)
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Groove slider and eld: Drag to determine the proximity of every second delay repeat to the
absolute grid position—in other words, how close every second delay repeat is. A Groove
setting of 50% means that every delay has the same delay time. Settings below 50% result in
every second delay being played earlier in time. Settings above 50% result in every second
delay being played later in time. When you want to create dotted note values, move the
Groove slider all the way to the right (to 75%). For triplets, select the 33.33% setting.
•
Note buttons: Set the grid resolution for the delay time. These are shown as note durations.