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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 2 Delay eects 72
Echo
This simple echo eect always synchronizes the delay time to the project tempo, enabling you to
quickly create echo eects that run in time with your composition.
Echo parameters
•
Time pop-up menu: Choose the grid resolution of the delay time in musical note durations,
based on the project tempo.
•
“T” values represent triplets.
•
“.” values represent dotted notes.
•
Repeat slider and eld: Drag to determine how often the delay eect is repeated.
•
Color slider and eld: Drag to set the harmonic content (color) of the delay signal.
•
Dry and Wet sliders and elds: Drag to set the amount of original and eect signal.
Sample Delay
Sample Delay is more a utility than an eect—you can use it to delay a channel by single
sample values.
When used in conjunction with the phase inversion capabilities of the Gain eect, Sample Delay
is useful for correcting timing problems that may occur with multichannel microphones. It can
also be used creatively to emulate stereo microphone channel separation.
Every sample at a frequency of 44.1 kHz is equivalent to the time taken for a sound wave to travel
7.76 millimeters. If you delay one channel of a stereo microphone by 13 samples, this emulates an
acoustic (microphone) separation of 10 centimeters.
Sample Delay parameters
•
Delay slider and eld (L and R in stereo version): Drag to set the number of samples that the
incoming signal is delayed by.
•
Link L & R button (only in stereo version): Turn on to make sure that the number of samples is
identical for both channels. Adjusting one channel value adjusts the other.