X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 2 Delay eects 65
Edit lter cuto in the Tap display
In Cuto view, each tap actually shows two parameters: highpass and lowpass lter
cuto frequency.
m Drag the cuto frequency line—the upper line is lowpass and the lower line is highpass—to
independently adjust lter cuto values. Both cuto frequencies can be adjusted simultaneously
by dragging in the area between them.
When the highpass lter cuto frequency value is lower than that of the lowpass cuto
frequency, only one line is shown. This line represents the frequency band that passes through
the lters—in other words, the lters act as a bandpass lter. In this conguration, the two lters
operate serially, meaning that the tap passes through one lter rst, then the other.
If the highpass lter’s cuto frequency value is above that of the lowpass lter cuto
frequency, the lter switches from serial operation to parallel operation, meaning that the
tap passes through both lters simultaneously. In this case, the space between the two cuto
frequencies represents the frequency band being rejected—in other words, the lters act as a
band-rejection lter.