X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 2 Delay eects 54
Delay Designer
Delay Designer overview
Delay Designer is a multitap delay. Unlike traditional delay units that oer only one or two delays
(or taps) that may or may not be fed back into the circuit, Delay Designer provides up to 26
individual taps. These taps are all fed from the source signal and can be edited to create unique
delay eects.
Delay Designer provides control over the level, pan position, and pitch of each tap. Each tap can
also be lowpass or highpass ltered.
Further eect-wide parameters include synchronization, quantization, and feedback.
As the name implies, Delay Designer oers signicant sound design potential. You can use it
for everything from a basic echo eect to an audio pattern sequencer. You can create complex,
evolving, moving rhythms by synchronizing the placement of taps. This leads to further musical
possibilities when coupled with judicious use of transposition and ltering. Alternatively, you can
set up numerous taps as repeats of other taps, much as you would use the feedback control of a
simple delay eect, but with individual control over each repeat.
Tap pads
Master section
Sync section
Tap parameter bar
Main display
The Delay Designer interface consists of ve main sections:
•
Main display: Provides a visual representation of all taps. You can see and edit the parameters
of each tap in this area. See Delay Designer main display on page 55.
•
Tap parameter bar: Oers a numeric overview of the current parameter settings for the
selected tap. You can view and edit the parameters of each tap in this area. See Delay Designer
Tap parameter bar on page 68.
•
Tap pads: You can use these two pads to create taps in Delay Designer. See Create taps in
Delay Designer on page 59.
•
Sync section: You can set all Delay Designer synchronization and quantization parameters in
this area. See Delay Designer sync mode on page 69.
•
Master section: This area contains the global Mix and Feedback parameters. See Delay Designer
master parameters on page 70.