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Chapter 1 Amps and pedals 50
Pedalboard delay pedals
This table describes the Delay eects pedals.
Stompbox Description
Blue Echo A delay eect. Time sets the modulation speed and
can either run freely or be synchronized with the
host application tempo when you enable the Sync
button. When synchronized, you can specify bar, beat,
and note values, including triplets and dotted notes.
The Repeats knob determines the number of delay
repeats. Mix sets the balance between the delayed
and source signals. The Tone Cut switch controls a
xed frequency internal lter circuit that allows more
low (Lo) or high (Hi) frequency content to be heard.
You can also disable this lter circuit by choosing O.
Through passes the source signal through to the next
pedal, while delay repeats continue.
Spring Box A spring reverb pedal. Time sets the length of the
reverberation to short, medium, or long values.
Tone controls the cuto frequency, making the
eect brighter or darker. Style switches between
algorithms, each with dierent characteristics. You can
choose Boutique, Simple, Vintage, Bright, or Resonant.
Mix sets the ratio between the source and eect
signals.
Tie Dye Delay A warm-sounding reverse delay eect that is perfect
for fans of 1960s and 1970s psychedelic rock.
Tru-Tape Delay A vintage tape delay eect. The Norm/Reverse switch
changes the delay playback direction. Reverse mode is
indicated by a blue LED and Normal mode is indicated
by a red LED. Hi Cut and Lo Cut activate a xed
frequency lter. Dirt sets the amount of input signal
gain, which can introduce an overdriven, saturated
quality. Flutter emulates speed uctuations in the
tape transport mechanism. Time sets the modulation
speed and can either run freely or be synchronized
with the host application tempo when you enable the
Sync button. When synchronized, you can specify bar,
beat, and note values, including triplets and dotted
notes. Feedback determines the amount of eect
signal that is routed back into the input. The buildup
of repeating signals can be used creatively for dub-
delay and other eects by adjusting Feedback in real
time. Mix sets the balance between the source and
eect signals.