X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 47
Stompbox Description
Phaze 2 A exible dual-phaser eect. LFO 1 and LFO 2 Rate
set the modulation speed and can run freely, or
be synchronized with the host application tempo
when you enable the Sync button. Ceiling and Floor
determine the frequency range that is swept. Order
switches between dierent algorithms, with higher
(even) numbers resulting in a heavier phasing eect.
Odd order numbers result in more subtle comb-
ltering eects. Feedback determines the amount of
eect signal that is routed back into the input. This
can change the tonal color, make the phasing eect
more pronounced, or do both. Tone works from the
center position; turn it to the left to increase the
amount of lowpass ltering, or turn it to the right to
increase the amount of highpass ltering. Mix sets the
level ratio between each phaser.
Retro Chorus A subtle, vintage chorus eect. Rate sets the
modulation speed and can either run freely or be
synchronized with the host application tempo when
you enable the Sync button. When synchronized,
you can specify bar, beat, and note values, including
triplets and dotted notes. Depth sets the strength of
the eect.
Robo Flanger Flexible anging eect. Rate sets the modulation
speed and can either run freely or be synchronized
with the host application tempo when you enable the
Sync button. When synchronized, you can specify bar,
beat, and note values, including triplets and dotted
notes. Depth sets the strength of the eect. Feedback
determines the amount of eect signal that is routed
back into the input. This can change the tonal color,
make the anging eect more pronounced, or do
both. The Manual knob sets a delay time between the
source and eect signals. This can result in anger-
chorus eects, or in metallic-sounding modulations,
particularly when used with high Feedback values.
Roswell Ringer A ring modulation eect that can make incoming
audio sound metallic, or unrecognizable, and can
deliver tremolos, brighten up signals, and more. The
Freq knob sets the core lter cuto frequency. Fine
is a ne tuning knob for the lter frequency. The
Lin/Exp switch determines if the frequency curve is
linear—with 12 notes per octave—or exponential. FB
(feedback) determines the amount of eect signal
that is routed back into the input. This can change
the tonal color, make the eect more pronounced,
or do both. Balance between the original and eect
signals is set with the Mix knob. See Ringshifter
overview
on page 206 for background information on
ring modulation.