X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 46
Stompbox Description
Rawk! Distortion A metal/hard rock distortion eect. Crunch sets the
amount of saturation applied to the input signal.
Output gain is set with Level. Tonal color is set with
the Tone knob, making the sound brighter at higher
values.
Tube Burner A vacuum tube-based distortion that provides a wide
palette of sounds, ranging from warm grain to crispy
overdrive.
Vintage Drive Overdrive eect that emulates the distortion
produced by a eld-eect transistor (FET), commonly
used in solid-state ampliers. When saturated, FETs
generate a warmer sounding distortion than bipolar
transistors, such as those emulated by Grinder. Drive
sets the saturation amount for the input signal. Tone
sets the frequency for the high cut lter, resulting in
a softer or harsher tone. The Fat switch, when at the
top position, enhances lower frequency content in the
signal. Level sets the overall output level of the eect.
Pedalboard modulation pedals
This table describes the modulation eects pedals.
Stompbox Description
Dr Octave A classic octaver eect with two independent octave
controls plus an integrated overdrive.
Flange Factory A deluxe anging eect that allows precise control of
every aspect of your sound.
Heavenly Chorus A rich, sweet-sounding chorus eect that thickens
the sound. Rate sets the modulation speed and can
either run freely or be synchronized with the host
application tempo when you enable the Sync button.
When synchronized, you can specify bar, beat, and
note values, including triplets and dotted notes.
Depth sets the strength of the eect. Feedback sends
the output of the eect back in to the input, further
thickening the sound or leading to intermodulations.
Delay sets the ratio between the original and eect
signals. The upper Bright switch position applies
a xed frequency internal EQ to the signal. At the
bottom position, the EQ is bypassed.
Phase Tripper A simple phasing eect. Rate sets the modulation
speed and can either run freely or be synchronized
with the host application tempo when you enable the
Sync button. When synchronized, you can specify bar,
beat, and note values, including triplets and dotted
notes. Depth sets the strength of the eect. Feedback
determines the amount of eect signal that is routed
back into the input. This can change the tonal color,
make the sweeping eect more pronounced, or do
both.