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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 44
Change a Splitter utility position in the Pedal area
m Drag the Splitter utility to a new position, either to the left or to the right.
If you move the Splitter utility to the left, the split between Bus A and Bus B occurs at the earlier
insertion point. Relevant eect pedals are moved to the right and are inserted into Bus A.
If you move the Splitter utility to the right, the split between Bus A and Bus B occurs at the later
insertion point. Relevant eect pedals are moved to the left and are inserted into Bus A.
Note: A Splitter pedal cannot be moved to a position directly preceding (or to the right of) a
corresponding Mixer utility.
Use Pedalboard’s Macro Controls
Pedalboard provides eight Macro Targets—A through H—that are found in the Macro Controls
area below the Pedal area. These enable you to map any parameter of an inserted stompbox as a
Macro A–H target. You can save dierent mappings with each Pedalboard setting.
In Logic Pro X, you use a controller assignment or create a Workspace knob for “Macro A–H
Value.” MIDI hardware switches, sliders, or knobs can then be used to control the mapped
Pedalboard Macro A–H target parameters in real time. See the Logic Pro X Help for details.
Click the disclosure triangle at the bottom left to hide or show the Macro Controls area.
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Macro A–H Target pop-up menus: Determine the parameter that you want to control with a
MIDI controller.
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Macro A–H Value sliders and elds: Set, and display, the current value for the parameter chosen
from the corresponding Macro Target pop-up menu.
Assign a Macro A–H Target
Do one of the following:
m Choose the parameter that you want to control from any of the Macro A–H Target pop-up
menus.
Each stompbox parameter is shown in the following way: “Slot number—Pedal Name—
Parameter”—for example, “Slot 1—Blue Echo—Time,” or “Slot 2—Roswell Ringer—Feedback.”
The Slot number refers to the position among the pedals, as they appear from left to right in the
Pedal area.
m Choose the “Auto assign” item from any Macro A–H Target pop-up menu, then click the
appropriate parameter in any inserted pedal.
Note: The chosen parameter is displayed in the Macro A–H Target pop-up menu.