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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 30
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Single speakers or multiple speakers: The number of speakers is less important than it may
appear. Phase cancelations occur between the speakers, adding texture and interest to
the tone.
Choose a microphone type and placement
1 Click the Mic pop-up menu to choose a microphone model.
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Condenser 87: Emulates the sound of a high-end German studio condenser microphone. The
sound of condenser microphones is ne, transparent, and well-balanced.
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Dynamic 20: Emulates the sound of popular American dynamic cardioid microphones. This
microphone type sounds brighter and more cutting than the Condenser 87 model. The lower-
mid frequencies are rolled o, making it a good choice for miking rock tones. It is especially
useful if you want your bass guitar part to cut through other tracks in a mix.
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Dynamic 421: Emulates the sound of a German dynamic cardioid microphone. It can capture a
wide frequency range and has a slight emphasis of the treble range. It is useful for clean tones.
2 Drag the white dot in the graphic above the Mic pop-up menu to set the microphone position
and distance relative to the cabinet.
Bass Amp Designer signal ow
Amplier signal ow
Bass Amp Designer has a two-channel design—one for the pre-amp and one for the D.I. box.
You can use these independently or can blend them by using the controls on the black bar at
the bottom.
Important: The two channels are always used in parallel if the Blend slider is not set to the far
right or to the far left position.
The channel signal ow changes when you choose dierent models from the Cabinet
pop-up menu.
Cabinet Blend slider position Channel 1 routing Channel 2 routing
Any speaker cabinet
model
Middle Pre-amp, power amp,
cabinet, mic
D.I. box
Direct (PowerAmp Out) Middle Pre-amp, power amp D.I. box
Direct (PreAmp Out) Middle Pre-amp D.I. box
Any speaker cabinet
model
Far left Pre-amp, power amp,
cabinet, mic
Direct (PowerAmp Out) Far left Pre-amp, power amp
Direct (PreAmp Out) Far left Pre-amp
Direct (PreAmp Out) Far right D.I. box