X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Appendix Legacy eects 284
Guitar Amp Pro microphone parameters
After choosing a speaker cabinet from the Speaker menu, you can set the type of microphone
you want to be emulated, and where the microphone is placed in relation to the speaker. The
Microphone Position parameters are available in the yellow area to the left, and the Microphone
Type parameters in the yellow area to the right.
Microphone position parameters
•
Centered button: Places the microphone in the center of the speaker cone, also called on-axis.
This placement produces a fuller, more powerful sound, suitable for blues or jazz guitar tones.
•
O-Center button: Places the microphone on the edge of the speaker, also referred to as o-
axis. This placement produces a tone that is brighter and sharper, but also thinner—suitable
for cutting rock or R & B guitar parts.
When you select either button, the graphic speaker display reects your choice.
Microphone type parameters
•
Condenser button: Emulates the sound of a studio condenser microphone. The sound of
condenser microphones is ne, transparent, and well-balanced.
•
Dynamic button: Emulates the sound of a dynamic cardioid microphone. This microphone type
sounds brighter and more cutting than the Condenser model. At the same time, the lower-
mid frequency range is less pronounced, making this model more suitable for miking rock
guitar tones.
Tip: Combining both microphone types can sound quite interesting. Duplicate the guitar
track, and insert Guitar Amp Pro as an insert eect on both tracks. Select dierent microphone
types in each Guitar Amp Pro instance, while retaining identical settings for all other
parameters, and mix the track signal levels. You can also choose to vary any other parameters.