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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 1 Amps and pedals 27
Bass Amp Designer
Bass Amp Designer overview
Bass Amp Designer emulates the sound of three famous bass guitar ampliers and the speaker
cabinets used with them. Each precongured model combines an amp and cabinet that
recreates a well-known bass guitar amplier sound. The amp and cabinet can be combined
with integrated compression and EQ units to alter the tone. You can process signals directly,
reproducing the sound of your bass played through these amplication systems. Virtual
microphones are used to pick up the signal of the emulated amplier and cabinet. You can
choose from, and position, three dierent microphone types.
When recording, many bass players use a direct connection to a mixing board or other recording
equipment, often using a passive (non powered) or active (powered) D.I. box (Direct Injection
box). The use of a pre-amp with passive or active EQ and a hardware compressor instead of, or in
addition to, a D.I. box is extremely popular too. Bass Amp Designer emulates a professional-level
American D.I. box.
Bass Amp Designer has a two channel design—one for the pre-amp and one for the D.I. box.
This enables you to exibly change the signal ow for the following playing and recording
congurations: pre-amp with passive or active EQ, compressor, a straight power amp, just the
sound of the cabinets and microphones, D.I. box alone, bass amp alone, or both in parallel. See
Amplier signal ow and Pre-amp signal ow.
Model parameters
Microphone parameters
Amp parameters Effects parameters Amp parameters Output slider
The Bass Amp Designer interface is divided into four main parameter sections.
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Model parameters: The Model pop-up menu at the left of the black bar at the bottom is used
to choose a precongured model, consisting of an amplier, a cabinet, and a microphone type.
The other menus in the black bar enable you to independently choose the type of amplier,
cabinet, and microphone. See Build a custom Bass Amp Designer combo on page 29.
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Amp parameters: Located at each end of the knobs section, these parameters are used to set
an amp’s input gain, presence, and output level. See Bass Amp Designer amplier controls on
page 33.
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Eects parameters: Located in the center of the knobs section, these parameters control the
integrated EQ and compressor eects. A further graphic or parametric EQ is shown above
the compressor controls when the EQ button is turned on. See Bass Amp Designer eects
overview on page 34.
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Microphone parameters: Located at the right of the interface, these parameters set the type
and position of the microphone that captures the amplier and cabinet sound. See Bass Amp
Designer microphone parameters on page 37.