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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 15 Utilities and tools 267
Gain plug-in
Gain amplies (or reduces) the signal by a specic decibel amount. It is very useful for quick level
adjustments when you work with automated tracks during post-processing—for example, when
you have inserted an eect that doesn’t have its own gain control, or when you want to change
the level of a track for a remix version.
Gain plug-in parameters
•
Gain slider and eld: Drag to set the amount of gain.
•
Phase Invert Left and Right buttons: Turn on to invert the phase of the left and right channels,
respectively.
Inverting phase is useful for dealing with time alignment problems, particularly those caused
by simultaneous recording with multiple microphones. When you invert the phase of a signal
heard in isolation, it sounds identical to the original. When the signal is heard in conjunction
with other signals, however, phase inversion may have an audible eect. For example, if you
place microphones above and below a snare drum, you may nd that inverting the phase of
either microphone can improve (or ruin) the sound. As always, rely on your ears.
•
Balance knob and eld: Rotate to adjust the balance of the incoming signal between the left
and right channels.
•
Swap L/R (left/right) button: Turn on to swap the left and right output channels. The swapping
occurs after the Balance parameter in the signal path. The Swap L/R button is disabled when
the Mono button is turned on.
•
Mono button: Turn on to output the summed mono signal on both the left and right channels.
Note: The Gain plug-in is available in mono, mono to stereo, and stereo instances. Only one
Phase Invert button is available in mono and mono to stereo modes. In mono mode, the Balance,
Swap L/R, and Mono parameters are disabled as well.