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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 14 Specialized eects and utilities 265
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Low Center knob and eld: Rotate to set the center frequency of the lower frequency band.
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Low Bandwidth knob and eld: Rotate to set the width of the lower frequency band.
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Dry slider and eld: Drag to set the amount of dry (non-eect, original) signal.
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Wet slider and eld: Drag to set the amount of wet (eect) signal.
SubBass use tips
Unlike a pitch shifter, SubBass generates a waveform that is not based on the waveform of the
input signal; instead it uses a sine wave. Given that pure sine waves rarely work well in complex
arrangements, make sure to use the Wet and Dry sliders to control the amount of—and balance
between—the generated and original signals.
Use the High parameters and the Low parameters to dene the two frequency bands that
SubBass uses to generate tones. High Center and Low Center dene the center frequency of each
band, and High Bandwidth and Low Bandwidth dene the width of each frequency band.
The High Ratio and Low Ratio knobs dene the transposition amount for the generated signal
in each band. This is expressed as a ratio of the original signal. For example, a Ratio value of 2
transposes the signal down one octave.
Important: Within each frequency band, the ltered signal should have a reasonably stable pitch
in order to be analyzed correctly.
In general, narrow bandwidths produce the best results, because they minimize frequency
intermodulations which can lead to unpleasant artifacts. Set the High Center knob value a fth
higher than Low Center, a factor of 1.5 for the center frequency.
Derive the sub-bass to be synthesized from the existing bass portion of the signal, and transpose
by one octave in both bands, using a Ratio of 2. Do not overdrive the process or you will
introduce distortion. If you hear frequency gaps, move one or both Center frequency knobs, or
widen the Bandwidth of one or both frequency ranges a little.
Tip: Be prudent when using SubBass, and compare the extreme low frequency content of
your mixes with other productions. It is very easy to over-enhance the low end of some tracks,
resulting in an unbalanced mix.