X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 14 Specialized eects and utilities 261
Exciter
Exciter generates high frequency components that are not part of the original signal. It does this
by utilizing a nonlinear distortion process that resembles the one used to produce overdrive and
distortion eects.
Unlike this process, however, Exciter’s distortion process involves passing the input signal
through a highpass lter before feeding it into the harmonics (distortion) generator. Articial
harmonics are thus added to the original signal, and these added harmonics contain frequencies
at least one octave above the threshold of the highpass lter. The distorted signal is then mixed
with the original, dry signal.
You can use Exciter to add life to recordings, particularly audio tracks with a weak treble
frequency range. You can also use Exciter to enhance guitar tracks.
Exciter parameters
•
Frequency display: Shows the frequency range used as the source signal for the excite process.
•
Frequency slider and eld: Drag to set the cuto frequency of the highpass lter, which is
expressed in Hertz. The input signal passes through the lter before (harmonic) distortion
is introduced.
•
Input button: Turn on to mix the original (pre-eect) signal with the eect signal. If you turn o
input, only the eect signal is heard.
•
Harmonics knob and eld: Rotate to set the ratio between the eect and the original signals,
which is expressed as a percentage. If the Input button is turned o, this parameter has no
eect.
Note: In most cases, it is preferable to select higher Frequency and Harmonics values, because
human ears cannot easily distinguish between the articial and original high frequencies.
•
Color 1 and Color 2 buttons: Color 1 generates a less dense harmonic distortion spectrum, and
Color 2 generates a more intense harmonic distortion.
Note: Color 2 also introduces more intermodulation distortions, which can result in
unpleasant artifacts.