X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 13 Space Designer convolution reverb 250
Space Designer lter
Space Designer lter parameters
Space Designer’s lter provides control over the timbre of the reverb.
You can select from several lter types and also have envelope control over the lter cuto,
which is independent of the volume envelope. Changes to lter settings result in a recalculation
of the impulse response rather than a straight change to the sound as it plays through
the reverb.
The main lter parameters are located in the lower-left corner of the interface.
Main lter parameters
•
Filter On button: Click to switch the lter section on or o.
•
Filter mode knob: Rotate to set the lter mode.
•
6 dB (LP): Bright, general-purpose lowpass lter mode that retains the top end of most
material while still providing some ltering.
•
12 dB (LP): Warm, lowpass lter mode without drastic lter eects that smooths out
bright reverbs.
•
BP: 6 dB per octave bandpass design that reduces the low and high ends of the signal,
leaving the frequencies around the cuto frequency intact.
•
HP: 12 dB per octave/two-pole highpass design that reduces the level of frequencies that fall
below the cuto frequency.
•
Reso(nance) knob: Rotate to emphasize frequencies above, around, or below the cuto
frequency. The impact of the resonance knob on the sound is highly dependent on the chosen
lter mode, with steeper lter modes resulting in more pronounced tonal changes.