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Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 13 Space Designer convolution reverb 246
Space Designer volume envelope
The volume envelope is used to set the reverb’s initial level and adjust how the volume will
change over time. You can edit all volume envelope parameters numerically, and you can also
edit many of them graphically (see Edit Space Designer envelope parameters on page 245).
Attack/Decay
Time node
Init Level node
Decay Time/End
Level node
Volume envelope parameters
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Init Level eld: Sets the initial volume level of the impulse response attack phase. It is
expressed as a percentage of the full-scale volume of the impulse response le. The attack
phase is generally the loudest point of the impulse response. Set Init Level to 100% to ensure
maximum volume for the early reections.
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Attack Time eld: Determines the time before the decay phase of the volume envelope begins.
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Decay Time eld: Sets the length of the decay phase.
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Volume decay mode buttons: Set the volume decay curve type.
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Exp: The output of the volume envelope is shaped by an exponential algorithm, to generate
the most natural-sounding reverb tail.
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Lin: The volume decay will be more linear, and less natural sounding.
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End Level eld: Sets the end volume level. It is expressed as a percentage of the overall volume
envelope.
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If set to 0%, you can fade out the tail.
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If set to 100%, you can’t fade out the tail, and the reverb stops abruptly if the end point falls
within the tail. (If the end time falls outside the reverb tail, End Level has no eect.)