X
Table Of Contents
- Logic Pro X Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 11 Pitch eects 225
Use Pitch Shifter
Pitch Shifter is used most eectively when you take a structured approach.
Use pitch shifting
1 To set the amount of transposition, or pitch shift, drag the Semi Tones slider.
2 To set the amount of detuning, drag the Cents slider.
3 To select the algorithm that best matches the material you are working with, click the Drums,
Speech, or Vocals button.
If you are working with material that does not t any of these categories, experiment with each
of the algorithms (starting with Speech), then compare the results and use the one that best
suits your material.
Tip: While auditioning and comparing dierent settings, temporarily set the Mix parameter to
100% because this makes Pitch Shifter II artifacts easier to hear.